Mercedes Planter

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8.5"x11" 19 of 200 available

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Black - Matted - 14.0x16.5      OUR PICK

Black - Matted - 14.0"x16.5"

White - Matted - 14.0x16.5

White - Matted - 14.0"x16.5"

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17"x22" 4 of 20 available

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Black - Matted - 22.5x27.5      OUR PICK

White - Matted - 22.5x27.5

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30"x40" 2 of 2 available

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Black - Framed to Image - 30x40      OUR PICK

White - Framed to Image - 30x40

Shipping available within the US only

More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement


The Weight of the Bridge and Mercedes Planter are representative of my studio practice and parts of my daily life. In the studio, I research architecture and watercolor. Outside of the studio, I am fortunate to live in the middle of New York City, with examples of historical architecture all around me. I am also able to frequently take trips to Wisconsin to be with my family and recuperate from city life. Mercedes Planter is from a day I spent with my dearest friends at a perennial farm outside of Milwaukee. We filled the trunk of an early 1970's Mercedes with plants; I had decided to buy succulents for my very modest backyard back in NYC. I carried them on the airplane in grocery bags. This painting is one of my favorites. It combines the structure of the car with the organic quality of the flowers; it is painted tightly and loosely. It is about the city and the country, and how I spend every day (no matter where I am) trying to bring a little bit of one to the other to balance my life.


Amy Park | See All Editions


Amy Park’s large scale watercolor paintings take Modernist architectural facades as their point of departure. Amy received a BFA in 1999 and an MFA in 2003 from the University of Wisconsin-Madison, and also studied at the School of the Art Institute of Chicago and Ox-Bow Summer Art School. She was a recipient of a Marie Walsh Sharpe Space Program Award in 2007-2008, and an Artist-In-Residence at the Serenbe Institute in 2012. Her work has been exhibited widely in the US, including Morgan Lehman Gallery, New York, NY; Steven Harvey Fine Art Projects, New York, NY, The Suburban (Oak Park, IL) at Project Row House, Houston, TX; The Poor Farm Experiment, Manawa, WI; and Kopeikin Gallery, Los Angeles, CA. Her work is in the permanent collections of Fidelity Investments; The Cleveland Clinic; Deloitte and Touche USA; Microsoft Corporation; The College of DuPage; and Drawing Center’s Artist Archive at the Museum of Modern Art. She lives and works in Long Island City, NY with her partner, artist Paul Villinski and their 3-year-old son, Lark.