{"title":"Adventure","description":"\u003cdiv style=\"text-align: left;\"\u003eHave a weakness for wanderlust? Save up for a big sojourn and collection some adventure-inspiring artworks in the meantime—so you can get the heck outta dodge without leaving your desk.\u003c\/div\u003e","products":[{"product_id":"20x200-artist-fund-austria-ski-lodge-in-the","title":"Austria, Ski Lodge in the Alps","description":"Celebrated designer Erich von Wunschheim designed this 1937 travel poster, \u003cem\u003eAustria, Ski Lodge in the Alps\u003c\/em\u003e, for the Austrian tourism board. As stated in a \u003ca href=\"https:\/\/web.archive.org\/web\/20130212112507\/http:\/\/brochures.austria.info\/pdfs\/0000\/4302\/folder_willkommen_in_oesterreich.pdf\"\u003eretrospective\u003c\/a\u003e of travel images by the Austrian National Library: \u003cem\u003eSince 1900, use has been made above all of visual material for advertising purposes.... Until well into the 1970s, the most important medium was the poster. Famous graphic designers used attractive pictorial solutions to attract visitors to the advertised destinations, whether an idyllic lakeside landscape or an impressive mountain scene.... \u003c\/em\u003e \u003cem\u003eAt the same time, the posters reflect the historical development and the story of success of Austrian tourism since 1900. The focus of the pictorial motifs is on the wonderful landscape, whether advertising for Austria as a whole, a particular province, a town or a region. 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Engineer Gustave Eiffel built the wrought-iron lattice tower that bears his name as the entrance arch for the 1889 Exposition Universelle, a world's fair of sorts touting France's past and future contributions to culture, art, science and industry. Despite its modern-day status as the City of Light's top tourist attraction, the tower was designed to serve as a symbol of \"Utopia achieved\" and a defining moment of the industrial era.\u003c\/p\u003e","brand":"Vintage Editions","offers":[{"title":"10\"x8\"","offer_id":363645791,"sku":"5416","price":40.0,"currency_code":"USD","in_stock":true},{"title":"14\"x11\"","offer_id":363645793,"sku":"5417","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363645795,"sku":"5418","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/sNLW63f6qL4fa66Kban-8wElwxOlmUlqVT3sMZmhu-o.jpg?v=1683229368"},{"product_id":"20x200-artist-fund-gpn-2002-000059","title":"GPN-2002-000059","description":"\u003cp\u003e\u003cem\u003eGPN-2002-000059\u003c\/em\u003e is an elegant black and white shot of the Apollo 17 spacecraft descending via parachute over the Pacific Ocean in 1972. Apollo 17 was the final mission of the Apollo program, missions 18 through 20 were planned but then cancelled to free up funding for the then-in-development space shuttle program. The three astronauts onboard Apollo 17 were returning from a lunar landing that, to this date, still stands as the last one ever conducted.\u003c\/p\u003e","brand":"Space Editions","offers":[{"title":"10\"x8\"","offer_id":363646227,"sku":"5306","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363646229,"sku":"5307","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363646231,"sku":"5308","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/InstallShots_SQ_26_0cfd9944-343b-4675-b6de-e3689419fcb9.png?v=1744745132"},{"product_id":"20x200-artist-fund-mazamas-making-their-way-up","title":"Mazamas Making Their Way up the Hogsback towards the Summit of Mt. Hood, 1963","description":"\u003cp\u003eRetired Forest Service employee and current avalanche safety expert Roland Emetaz, also known as Mr. Em, shot this photo of Mazamas club climbers on Oregon's Mt. Hood scaling the mountain's Hogsback ridge, which runs from Crater Rock to the so-called Pearly Gates and the summit. Inspired by the Nahuatl Indian word for \"mountain goat,\" Oregon mountaineers, male and female, founded the adventuring club Mazamas (pronounced \"mah-zah-maz\") on the mountain's summit in 1894.\u003c\/p\u003e","brand":"Vintage Editions","offers":[{"title":"10\"x8\"","offer_id":363646791,"sku":"6219","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363646793,"sku":"6220","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363646795,"sku":"6221","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/54o2igpOKsbRw6utjF9fUyr-cuQHbkMqp3UKQ9NGJo8.jpg?v=1683230209"},{"product_id":"20x200-artist-fund-mountaineer-in-an-ice-cave","title":"Mountaineer in an Ice Cave of Paradise Glacier, Mount Rainier National Park, Washington, 1925","description":"In this image, the silhouette of '20s mountaineer Thomas G. 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According to \u003ca href=\"http:\/\/content.lib.washington.edu\/glacierweb\/index.html\"\u003ethe University of Washington Libraries\u003c\/a\u003e, the park \"drew thousands of hikers and mountaineers from all around the world to the mountain's major attractions, including summit climbs and excursions to its famous glaciers and ice caves.\" A photographer from Tacoma photography studio Ranapar Studio (very likely an abbreviation for Rainier National Park), originally founded by Seattle photographer \u003ca href=\"http:\/\/content.lib.washington.edu\/curtisweb\/index.html\"\u003eAsahel Curtis\u003c\/a\u003e, collected images from the park in an album dated 1923-1931.","brand":"Vintage Editions","offers":[{"title":"8\"x10\"","offer_id":363646931,"sku":"6222","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x14\"","offer_id":363646933,"sku":"6223","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":363646935,"sku":"6224","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/NE5So-QnYnx88LH8YfWFnqVquLu-JdDLo-MhSDvOpJ8.jpg?v=1683230104"},{"product_id":"20x200-artist-fund-north-side-of-the-moon","title":"North Side of the Moon","description":"\u003cp\u003eThis stunning, almost floral map is among the first of the prismatic planetary maps published by the U.S. Geological Survey between 1971 to 1997. Commissioned by NASA, geologists were charged with mapping the moon to ensure safe landings for astronauts, but also to pinpoint areas of interest for future research. Dr. Baerbel Lucchitta was the geologist who led the mapping of the north side of the moon. Dr. Lucchitta, after whom there is a glacier in Antarctica named Lucchitta, as well as an asteroid named Baerbel, was one of the first women in the field of astrogeology. The north side was her first assignment with the U.S.G.S.; Mars and the first map of Europa soon followed. (Wow.) For her geographically and aesthetically meticulous work, she was awarded the Geological Society of America, Planetary Geology Division, G.K. Gilbert Award. Dr. Lucchitta was the first woman to receive it.\u003c\/p\u003e","brand":"Space Editions","offers":[{"title":"8\"x8\"","offer_id":363647287,"sku":"5944","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x11\"","offer_id":363647289,"sku":"5945","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x16\"","offer_id":363647291,"sku":"5946","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/InstallShots_SQ_4.png?v=1742926238"},{"product_id":"20x200-artist-fund-s68-27366","title":"S68-27366","description":"\u003cp\u003eWith men floating in space and a flurry of flames bursting across the sky, our journey into space continues with two more Apollo images from the NASA archives, released in support of the 20x200 Artist Fund: an artist's rendering of extravehicular activities in \u003cem\u003eS69-18547\u003c\/em\u003e, and the launch of a Saturn V rocket, photographed from a chase plane, in \u003cem\u003eS68-27366\u003c\/em\u003e. \u003cem\u003eS69-18547\u003c\/em\u003e imagines, in full color and detail, what might be, and \u003cem\u003eS68-27366\u003c\/em\u003e documents what was: a blur of fire and rocket seemingly fused together. Each depicts what is hard to fathom, the making of what seemed impossible, possible.\u003c\/p\u003e","brand":"Space Editions","offers":[{"title":"10\"x8\"","offer_id":363648337,"sku":"5253","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363648339,"sku":"5254","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363648341,"sku":"5255","price":275.0,"currency_code":"USD","in_stock":true},{"title":"30\"x24\"","offer_id":363648343,"sku":"5256","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/aV82-tRnXM7FtG2-HKpGqMcxk65iJcUSbObYcQFJbK8.jpg?v=1683230529"},{"product_id":"20x200-artist-fund-south-side-of-the-moon","title":"South Side of the Moon","description":"This stunning, almost floral map is among the first of the prismatic planetary maps published by the U.S. Geological Survey between 1971 to 1997. 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We've spent so long fussing over the relentless details in cartography that we've sort of forgotten what things (should) look like at a distance. This August 2010 version of prettymaps is codenamed \"Isola\", after the Finnish textile designer Maija Isola. At a time when the tools for making custom maps and bespoke cartographies are becoming easier* and more accessible, it is nice to look back at her work and imagine the maps she might have made if she were alive today. prettymaps is an experimental map from Stamen Design.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003e\u003csmall\u003e\u003csmall\u003e*\u003c\/small\u003e Road, highway and path data collected by the \u003ca href=\"http:\/\/www.openstreetmap.org\/\"\u003eOpenStreetMap\u003c\/a\u003e (OSM) project.\u003c\/small\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Aaron Straup Cope","offers":[{"title":"10\"x8\"","offer_id":363656625,"sku":"5154","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363656627,"sku":"5155","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363656629,"sku":"5156","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363656631,"sku":"5157","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/8jT6kOsduU9dRBR5Y81ha1Qvcd4os4uzYoaPnvHfR_M.jpg?v=1683230542"},{"product_id":"aaron-straup-cope-prettymaps-boston","title":"prettymaps (boston)","description":"\u003cp\u003eI'd like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. We've spent so long fussing over the relentless details in cartography that we've sort of forgotten what things (should) look like at a distance. This August 2010 version of \u003cem\u003eprettymaps\u003c\/em\u003e is codenamed \"Isola\" after the Finnish textile designer Maija Isola. At a time when the tools for making custom maps and bespoke cartographies are becoming easier and more accessible, it is nice to look back at her work and imagine the maps she might have made if she were alive today. \u003cem\u003eprettymaps\u003c\/em\u003e is an experimental map from Stamen Design.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003e\u003csmall\u003e*\u003c\/small\u003e Road, highway and path data collected by the \u003ca href=\"http:\/\/www.openstreetmap.org\/\"\u003eOpenStreetMap\u003c\/a\u003e (OSM) project.\u003c\/small\u003e\u003c\/p\u003e","brand":"Aaron Straup Cope","offers":[{"title":"10\"x8\"","offer_id":363656739,"sku":"4844","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363656741,"sku":"4843","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363656743,"sku":"4837","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363656745,"sku":"4922","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/wcG3nEi1gwx5O5uNfozjmdeXMlwiSA1NDLT4qM7maJs.jpg?v=1683228226"},{"product_id":"aaron-straup-cope-prettymaps-chicago","title":"prettymaps (chicago)","description":"\u003cp\u003eI'd like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. 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Since then, I have photographed exclusively along a very small stretch of its southern coastline. Returning to this specific place, I've sought out its nuances. In doing so, I have peeled back layers of how I see, and how I experience this magical environment. The results of my slight obsession have evolved into two distinct series. Here are two images from \u003cem\u003eTo Praia Grande\u003c\/em\u003e, a body of work focusing on a singular, secluded beachfront in which all of the pictures are taken from essentially the same elevated angle. What the still life was for Morandi, this beach is for me. From a distance, I observe the variables: light, weather, time of day, the ebb and flow of the ocean and the sunbathers, unaware, below my large-format camera. The images are shot vertically, a departure from the traditional, horizontal format in landscape photography. It puts my subject matter in the form of a portrait , an ongoing record of this ethereal yet playful nook in nature over the minutes, the days, the years. Ultimately, I try to instill an element of time within these captured moments: visceral time, elastic from one image to another. And always, I seek to have new eyes.\u003c\/p\u003e","brand":"Christian Chaize","offers":[{"title":"11\"x11\"","offer_id":363779141,"sku":"4789","price":75.0,"currency_code":"USD","in_stock":true},{"title":"20\"x20\"","offer_id":363779143,"sku":"4788","price":500.0,"currency_code":"USD","in_stock":true},{"title":"35\"x35\"","offer_id":363779145,"sku":"4787","price":5000.0,"currency_code":"USD","in_stock":true},{"title":"50\"x50\"","offer_id":363779147,"sku":"4791","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/JJN0NVfWYfQW646_gdzvZLmk6WtgbwJpfwP0MTu1vhg.jpg?v=1683230941"},{"product_id":"christian-chaize-praia-piquinia-110810-12h15","title":"Praia Piquinia 11\/08\/10 12h15","description":"\u003cp\u003e\"\u003cem\u003eThe real voyage of discovery consists not in seeking new landscapes but in having new eyes\u003c\/em\u003e.\", Marcel Proust\u003c\/p\u003e\n\u003cp\u003eIn 2004, Portugal presented itself as a new landscape in my life, both literally and metaphorically. Since then, I have photographed exclusively along a very small stretch of its southern coastline. Traveling there from France several times a year, I've observed its nuances, noting what changes, what stays constant... the subtle and dramatic shifts in its personality, if you will. Year after year, I not only continue to experience the mystery of its appeal, I find I am more deeply intrigued. The results of my obsession have developed into two distinct series. This is an image from \u003cem\u003ePraia Piquinia\u003c\/em\u003e, a body of work focusing on a singular, secluded beachfront in which all of the pictures are taken from what is essentially the same elevated angle. What the still-life was for Morandi, the haystack for Monet... this beach is that for me. From a distance, I observe the variables: light, weather, time of day, the ebb and flow of the ocean and, most importantly, the sunbathers, unaware, below my large-format camera. The images are shot vertically, a departure from the traditional, horizontal format in landscape photography. It puts my subject matter in the form of a portrait, an ongoing record of this corner of nature (and human nature), over the minutes, the days, the years. Ultimately, I try to instill an element of time within these captured moments... visceral time, elastic from one image to another. \u003cem\u003ePraia Piquinia\u003c\/em\u003e has peeled back layers in how I see and, as a result, in how I experience it. Together, we are evolving. 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They were unearthed not from old ball fields, not from my personal collection (I owned none) but instead from the world's virtual junk drawer: eBay. Encountered as finished prints, it's hard to believe that the vehicles themselves are tiny, about two to three inches long; at larger sizes they become monumental, iconic, even majestic in their battered state. 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My eccentric father's obsession with building spaceships out of scrap metal in the backyard often led to disastrous results, forcing our family to move again and again, one step ahead of trouble. Setting the field on fire with a careless use of an acetylene torch or finding that our TV had been pawned for a sheet of aluminum was not uncommon. Like many teen girls I kept a journal, a safe haven to record my thoughts and my concerns, my security blanket for when life became too much. My paintings, filtered through the eyes of someone who is now removed from that chaos, document a time in my life that was often surreal, the truth stranger than fiction. Through humor and faux-naive charm, my works are part fantasy, part homage to the past, made of mixed materials such as acrylics, graphite, silver leaf, glitter and spray paint. As in dreams, parts of my stories fade and become blurry, shifting and morphing into tangled events. 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Though geographically they represent a vast (and fragmented) amount of landscape, the collections carry with them the feelings of smallness, vulnerability and nostalgia that I find inherent in satellite imagery. These prints are, on the one hand, collapsed pictures of my own disoriented wanderings through the endlessness of a scanned world , endlessly scrolling, endlessly zooming in. But they are also, as in any collection, acts of love. 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