I am interested in the transformative possibilities of materials: the way things are made, the visual, structural, and behavioral qualities of materials, and how they react to one another. I want to see how a single mark or the slightest activity can have a significant impact on an image as a whole. Ultimately, my work addresses the relationship between the process and the finished piece. I use textile-influenced patterns that subtly distort or fracture symmetry. Simple shapes and lines, repeated in different orientations, spacing, and widths can often produce an optical effect: sometimes kaleidoscopic, sometimes reminiscent of microscopic marine biological forms, and occasionally more architectural and three-dimensional. I am also interested in the materiality of ink on paper, how ink and watercolor become embedded in the fibers, when it seems to sit on top of the paper, how the work can possess extreme directness and immediacy, when it feels ephemeral and un-precious, or appears labored and permanent.
+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available
Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.
8"x8" | edition of 200
11"x11" | edition of 500
16"x16" | edition of 20