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As they are being photographed, they are in a process of alteration from solid to liquid, from organized form in space to aqueous blob on a surface, and thus suggest a transitiveness that photography, as a medium devoted to stilling the moment, would seem to contradict. Similarly, as was true of the pictures of leaf veins and tree branches, light seems not so much to shine on the snowflakes as it shines through them. Instead of appearing as specimens, in the manner of 19th-century scientific observation, the snowflakes are objects of transformation. Few of the Starns' snowflakes are models of perfection, and in this they remind one of finding starfish and seashells scoured by the tides and left to dry on sandy beaches. Many have parts missing, or they have all their detailed armatures on one side but not the other. Here again, the Starns' images exceed the aesthetic register of the catalog. 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Working strictly with gothic wood type, black ink and a Vandercook letterpress, she prints five to seven word phrases of what she calls words to live by. A closer read reveals these phrases, when stripped down to their most essential, blossom into powerful mantras, bolstering us all toward certainty. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWE ARE BETTER TOGETHER was printed by Paper Jam Press using a typecase without enough T's to be able to print the whole thing at once. This means it was printed in three passes. WE ARE...BETTER...TOGETHER. Truer words have never been spoken. \u003c\/span\u003e\u003c\/p\u003e","brand":"Paper Jam Press","offers":[{"title":"15\"x11\"","offer_id":15859579617374,"sku":"7605","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/KOL-oEfJirUYb4E4_AHY75u0N6Nw5gwsTh-rOiV-ecc.png?v=1741785951"},{"product_id":"a-couple-walking-along-the-seine-river-in-paris","title":"A couple walking along the Seine River in Paris","description":"A pair of lovers stroll along the Seine River in Paris, France, seemingly oblivious to the world—let alone the photographer perched above them. This edition is a perfect example of Toni Frissell’s naturalist perspective: an image that feels both candid and spontaneous, yet endlessly romantic. Are we looking at two carefully composed fashion models, told to huddle close for the shot, or a real-life Parisian couple casually nestled together as they traverse the cobblestone? 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In the same way that lots of people feel drawn to surround themselves with religious iconography and pictures of their family (which I am totally into painting, too), I feel drawn to paint of Mister Rogers so that people can be surrounded by the image of him. I grew up seated just a few inches from the TV set, receiving care from Mister Rogers. Receiving affirmations from Mister Rogers. Learning life lessons from Mister Rogers. Hearing that I was okay just the way I was and that, through the TV set, Mister Rogers liked me and knew I was doing the best I could. I still need to hear that, and, let's be honest, who doesn't? 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Shot in 1941, this image captures a Cambridge storefront during the city’s confectionery boom. With 66 thriving candy manufacturing companies, sweets became Cambridge’s second largest industry. The area’s rich confectionery history goes way back—the country’s first chocolate mill opened in neighboring Dorchester in 1765, and the first candy-making machine was invented in Boston in 1847 (leading to those legendary Valentine’s Sweethearts). Cambridge itself was home to some of candy’s heaviest hitters like NECCO, Nabisco, Junior Mints, Charleston Chews, and Fig Newtons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCambridge had the ideal candy climate with chilly temperatures and easy access to the overseas molasses and sugar trades. During Prohibition, these products—main ingredients in the production of alcohol—were in robust supply and Cambridge residents were in need of an alternative vice. Such sweet serendipity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eImage source: Cambridge Historical Commission\u003c\/span\u003e\u003c\/p\u003e","brand":"Vintage Editions","offers":[{"title":"8\"x10\"","offer_id":31254227353694,"sku":"7938","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x14\"","offer_id":31254227386462,"sku":"7939","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":31254227419230,"sku":"7940","price":275.0,"currency_code":"USD","in_stock":true},{"title":"20\"x24\"","offer_id":31254227451998,"sku":"7941","price":675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/InstallShots_SQ_3_add69218-78ff-4da2-b165-cb4b8e2ad9a6.png?v=1743085929"},{"product_id":"bondi-beach","title":"Bondi Beach","description":"Shot in 1939, Bondi Beach embodies Australian coastline culture and the essence of a start-of-season beach day in a single frame. 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In the dark, in an unfamiliar place, we could see what was artificially illuminated right in front of us, but could only imagine the rest.\u003cbr\u003e\u003c\/p\u003e","brand":"Leah Giberson","offers":[{"title":"8\"x8\"","offer_id":39930199048286,"sku":"8696","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x11\"","offer_id":39930243809374,"sku":"8697","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x16\"","offer_id":39930199113822,"sku":"8698","price":275.0,"currency_code":"USD","in_stock":true},{"title":"20\"x20\"","offer_id":39930199146590,"sku":"8699","price":775.0,"currency_code":"USD","in_stock":true},{"title":"30\"x30\"","offer_id":39930199179358,"sku":"8700","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/WlspWkoIsiNuS3qVs9J26LASz-UZsOtLTIqM4Pudi6U.png?v=1683231019"},{"product_id":"sergei-prokudin-gorskii-roses","title":"Roses","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEarly 20th Century Russian artist \u003ca href=\"https:\/\/20x200.com\/collections\/sergei-prokudin-gorskii\"\u003e\u003cstrong\u003eSergei Prokudin-Gorskii\u003c\/strong\u003e\u003c\/a\u003e’s color-drenched photographs of his homeland are not only stunningly beautiful and electrically enduring, they are pioneering works of art on several levels. Prokudin-Gorskii tirelessly captured corners of then-Czar Nicholas II’s Empire that had never been documented before. Traveling in a railroad car-turned-darkroom sponsored by the Czar, the artist developed and championed methods of dynamic, vibrant image-making that were truly avant garde for the time.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNew York-based, internationally-recognized critic, curator, writer, educator and art authority Lyle Rexer \u003ca href=\"https:\/\/20x200.com\/blogs\/news\/lyle-rexer-sergei-prokudin-gorskiis-siren-and-stog-siena\"\u003ewrote of Prokudin-Gorskii's process\u003c\/a\u003e for our debut editions by the artist—\u003ca href=\"https:\/\/20x200.com\/products\/sergei-prokudin-gorskii-stog-siena\"\u003e\u003cem\u003e\u003cstrong\u003eStog siena\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e (Haystack) and \u003ca href=\"https:\/\/20x200.com\/collections\/sergei-prokudin-gorskii\/products\/sergei-prokudin-gorskii-siren\"\u003e\u003cem\u003e\u003cstrong\u003eSiren\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e (Lilacs)—that “Where many photographers of the time might have created hand-colored lantern slides on glass (for public presentations), Prokudin-Gorskii shot his glass plate negatives in triplicate, with three color filters. When projected all at once in overlay through corresponding filters, the images appeared in vibrant color. Printing was a more complicated issue, and few prints were actually made. It’s likely the photographer built his own camera in order to make simultaneous exposures. He also made prints in sepia tone, an equally emphatic aesthetic gesture.” \u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTwo additional works by Sergei Prokudin-Gorskii that we’re thrilled to edition in partnership with the Library of Congress, \u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/20x200.com\/products\/sergei-prokudin-gorskii-in-a-conservatory\"\u003e\u003cem\u003e\u003cstrong\u003eIn a conservatory\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eRoses\u003c\/em\u003e,\u003c\/span\u003e\u003cspan\u003e were both shot and developed c.1905-1915 by the artist during the thick of his aforementioned photographic survey. Prokudin-Gorskii was not just a visionary documentarian, but a scientist—which is no surprise, given his creative drive to experiment with processes, composition, subject matter and, of course, color. \u003c\/span\u003e\u003c\/p\u003e","brand":"Sergei Prokudin-Gorskii","offers":[{"title":"8\"x8\"","offer_id":40744559345758,"sku":"8933","price":40.0,"currency_code":"USD","in_stock":true},{"title":"11\"x11\"","offer_id":40744559378526,"sku":"8934","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x16\"","offer_id":40744559411294,"sku":"8935","price":275.0,"currency_code":"USD","in_stock":true},{"title":"20\"x20\"","offer_id":40744559444062,"sku":"8936","price":675.0,"currency_code":"USD","in_stock":true},{"title":"30\"x30\"","offer_id":40744579629150,"sku":"8937","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/InstallShots_SQ_15_30f2946e-7535-4cb4-aa9e-9ad47978e297.png?v=1745855969"},{"product_id":"rachel-ruysch-flowers-in-a-glass-vase","title":"Flowers in a Glass Vase","description":"\u003cp\u003e\u003ca href=\"https:\/\/20x200.com\/collections\/rachel-ruysch\"\u003e\u003cstrong\u003eRachel Ruysch\u003c\/strong\u003e\u003c\/a\u003e, a canonical Dutch still life painter from the Northern Netherlands, has been celebrated for hundreds of years for her exquisitely poetic floral still lifes. Her 1704 piece \u003cem\u003eFlowers in a Glass Vase\u003c\/em\u003e exemplifies her uncanny ability to execute work with scientific precision and an elevated sense of spiritual splendor to boot. \u003cbr\u003e \u003cbr\u003eRuysch came by her ability to pay meticulous attention to details and capture botanical subjects with lifelike precision naturally. Her father, a professor of anatomy and botany, had an extensive collection of animal skeletons, minerals, and botanical specimens–and from a young age, Ruysch drew from it literally and figuratively. 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