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They are depictions of my girlfriends and myself in singular moments of self-reflection and celebration. My style tends to be bold and graphic. Whether capturing a glance, an irreverent bootie shot, or someone daydreaming, the figures tend to not face the viewer, but rather to each be in a contemplative state. Formal elements such as color, light, and tightly cropped spaces help create specific moods. Fashion photography has always been an influence and I love to include sunglasses, jewelry, and bathing suits (I often paint summery beach scenes) as a way of adding reflections, texture, or pattern. I hope to unlock something extraordinary in everyday scenes. 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The movies\/cassettes\/video games embody our modern form of story telling, our contemporary myths and heroic adventures. These ideas weave into my overall theme of \"The Earth on the Back of the Giant Turtle,\" a reference to a Native American creation myth. It relates to how the beliefs or values of one culture or time period are going to change or be completely obsolete in the future, and how our relationship with reality changes, with reality becoming more and more of a virtual or digital one today. The media itself is shaped like a pyramid, representing the contours of the alligator snapping turtle (the turtle king of the South) as the mountains of the earth. The specific wallpaper pattern-I consider it the Osiris skin (I'll often use green for the color)-represents the Egyptian god of the dead; mortality is all around us. In other words, the work is a constant reminder we only last so long, as do these relics of technology and culture.\u003c\/p\u003e","brand":"Hollis Brown Thornton","offers":[{"title":"8\"x10\"","offer_id":364332775,"sku":"4264","price":40.0,"currency_code":"USD","in_stock":true},{"title":"11\"x14\"","offer_id":364332777,"sku":"4263","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":364332779,"sku":"4262","price":275.0,"currency_code":"USD","in_stock":true},{"title":"24\"x30\"","offer_id":364332785,"sku":"4274","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/XhLivvRNYDXS2GHawaAmCvIh173UK3F-urf6BDRQ65Y.jpg?v=1683230802"},{"product_id":"laura-bell-sarah-waiting-for-the-tide","title":"Sarah Waiting for the Tide","description":"\u003cp\u003eI have always found it a powerful experience to look into the vast horizon of an expanse of water. 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But real cakes are temporary, and if you eat too much you may feel sick. These cakes care forever and won't make you sick.\u003c\/p\u003e","brand":"Martha Rich","offers":[{"title":"8\"x8\"","offer_id":364381967,"sku":"5317","price":40.0,"currency_code":"USD","in_stock":true},{"title":"11\"x11\"","offer_id":364381969,"sku":"5318","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x16\"","offer_id":364381971,"sku":"5319","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/InstallShots_SQ_6.png?v=1742996659"},{"product_id":"mike-monteiro-untitled-i-told-my-therapist","title":"Untitled (I told my therapist about you)","description":"\u003cp\u003eI'm really not good with words.\u003c\/p\u003e","brand":"Mike Monteiro","offers":[{"title":"8\"x10\"","offer_id":364385131,"sku":"1950","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x14\"","offer_id":364385145,"sku":"1949","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":364385147,"sku":"1948","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/KTRFRd6v8k5jENqv_YTRRZc6xt8AJn9t2TVfKqyrFxQ.jpg?v=1683230828"},{"product_id":"tom-kondrat-abandoned-beauty","title":"abandoned beauty","description":"\u003cp\u003eFascinated by its volcanoes and geysers, I've wanted to go to Iceland since I was a child. I was inspired by Simon Roberts' book \u003cem\u003eMotherland\u003c\/em\u003e and the film \u003cem\u003eNói albínói\u003c\/em\u003e, especially by the country's colors and atmosphere during the winter time. The idea was to travel alone around Iceland by car during the coldest, gloomiest time, when the sun is up for less than five and a half hours during the day. I guess I was the only \"tourist\" in the country at that time. I wanted to document how the people cope with their everyday lives in these conditions. Instead, I was struck by the beautiful, bleak, raw and simple landscapes that perfectly described my feelings.\u003c\/p\u003e","brand":"Tom Kondrat","offers":[{"title":"8\"x8\"","offer_id":364868545,"sku":"5027","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x11\"","offer_id":364868551,"sku":"5028","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x16\"","offer_id":364868559,"sku":"5029","price":275.0,"currency_code":"USD","in_stock":true},{"title":"30\"x30\"","offer_id":789866325,"sku":"6312","price":2650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/1-Xlt-yG6wu_bJN6gQS2vN8MjkaJ2U5z1U3enTv3KvU.jpg?v=1683228931"},{"product_id":"backsplash","title":"Backsplash","description":"\u003cp\u003eMy paintings are rich with Persian art influences: Iran's ceramic traditions and its patterned, jewel-like art. But I follow my own personal vocabulary of images. I use pattern expressively, to evoke circumstances that are out of control. Cartoonish, art brut aspects of my work stand in opposition to its complex, jewel-like qualities. Through a visual tension of opposites, I found a language for the painful contradiction between Iran's reputation as brutal menace, and its exquisite contributions to world culture.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBacksplash\u003c\/em\u003e features a fantastical, melting cityscape that resembles a hybrid of Iran's ornate mosques and a power plant. This meltdown satirizes the Iranian regime's flamboyant failure on the world stage. Cartoonishly spreading towards a miniature Manhattan, it also satirizes Islamophobia and fears of a nuclear Iran. The green counter-wave, brimming with defiant faces and limbs, is a metaphor for the imperiled protestors against Iran's theocratic regime. \u003cem\u003eBacksplash\u003c\/em\u003e is an expressive re-telling of a geo- political mess, mixed with angst, critique, and humor.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBacksplash\u003c\/em\u003e is in the collection of the New Britain Museum of American Art, New Britain, CT.\u003c\/p\u003e","brand":"Negar Ahkami","offers":[{"title":"11\"x14\"","offer_id":750908709,"sku":"6129","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":750908717,"sku":"6130","price":275.0,"currency_code":"USD","in_stock":true},{"title":"24\"x30\"","offer_id":750908721,"sku":"6214","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/Yoc6Jv5mSbwB_zKzVVZtCs4yB96p2EtHYCL_wMWMTT4.jpg?v=1683228427"},{"product_id":"hato-zu-1","title":"Hatō zu 1","description":"\u003cp\u003eUehara Konen's Hatō zu 1, meaning \"wave\" in Japanese, was created by Uehara Konen in 1910, in the midst of the Meiji Period, a moment of great change for Japanese culture and art. For the first time in centuries, Japan had opened its borders; American and European artists set sail to study the great masters of the Japanese Woodblock Printing tradition.\u003c\/p\u003e\n\u003cp\u003eWaves as a subject in Japanese art, especially woodblocks, can be traced as far back as the 1600's and the beginning of the Edo period. Yet in Hatō zu 1\u003cspan\u003e we see the emergence of a\u003c\/span\u003e modern style and new western influences, despite Uehara Konen's resistance to many of the changes around him.\u003c\/p\u003e\n\u003cp\u003eThe bright, saturated blues have an impressionistic styling, but also we see technology subtly taking hold in the almost photographic composition that elegantly breaks from tradition.\u003c\/p\u003e","brand":"Uehara Konen","offers":[{"title":"11\"x14\"","offer_id":868779921,"sku":"6347","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":868779929,"sku":"6348","price":275.0,"currency_code":"USD","in_stock":true},{"title":"24\"x30\"","offer_id":868779933,"sku":"6349","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/NcJLZt2QeBJleGfjDe_tTi1WN_IxuoXy1HdQHUPY0gY.jpg?v=1683230517"},{"product_id":"i-am-an-american-oakland-ca-march-1942","title":"I Am an American, Oakland, CA, March 1942","description":"\u003cp\u003eAlready pushing boundaries as a female portrait photographer, Dorothea Lange left a comfortable life in San Francisco to work for the FSA and document the migrant experience. 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These simple words become a deeply felt identification, a powerful protest, and a profound plea all at once. \u003cspan\u003eLange has captured this so poignantly, with the business that the ambitious American's built dark and quiet below the bold contrast of the sign, shuttered by their own neighbors and country.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dorothea Lange","offers":[{"title":"8\"x10\"","offer_id":879509621,"sku":"6353","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x14\"","offer_id":879509617,"sku":"6354","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":879509625,"sku":"6355","price":275.0,"currency_code":"USD","in_stock":true},{"title":"24\"x30\"","offer_id":879509629,"sku":"6356","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/1OryZtXQKK-l6OmxbmPdVQMqDSrwPRndzJ430a69GWY.jpg?v=1683229720"},{"product_id":"cemetery-rd-3169-3327-viewmont-ny","title":"Cemetery Rd, 3169-3327, Viewmont, NY","description":"\u003cp\u003e\u003cspan\u003ePete has always been a night person. He likes nothing better than to be alone in the middle of nowhere, on a country road for hours on end. On again, off again, he has been making photographs at night for almost 30 years. Throughout those years, he has sporadically taken pictures of fireflies, finding satisfaction in the challenge. Only in the past few years has technology provided new tools that enable an enhanced ability to see in the dark, minus many of the limitations of film. While he is willing to travel a couple miles for fireflies, most of his night work is done within walking distance of his home in a small village in Upstate New York.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pete Mauney","offers":[{"title":"8\"x10\"","offer_id":906122881,"sku":"6400","price":40.0,"currency_code":"USD","in_stock":false},{"title":"11\"x14\"","offer_id":906122877,"sku":"6401","price":85.0,"currency_code":"USD","in_stock":true},{"title":"16\"x20\"","offer_id":906122885,"sku":"6402","price":275.0,"currency_code":"USD","in_stock":true},{"title":"24\"x30\"","offer_id":906122889,"sku":"6403","price":1450.0,"currency_code":"USD","in_stock":true},{"title":"30\"x40\"","offer_id":906122893,"sku":"6404","price":2650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/m5Y4_e1Udig3ZuJjvmIIXXNZ9mTRzZwk4d1b0n-5g10.jpg?v=1683230678"},{"product_id":"bread-store-259-bleecker-street-manhattan","title":"Bread Store, 259 Bleecker Street, Manhattan","description":"\u003cp\u003e\u003cspan\u003eBerenice Abbot proposed \u003c\/span\u003e\u003cem\u003eChanging New York\u003c\/em\u003e\u003cspan\u003e, her grand project to document New York City, to the Federal Art Project (FAP) in 1935. 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Permanent marker drawings further transfer the precisions of the digital image to a hand drawn as-close-as-possible reproduction in the simplistic medium of marker. The drawings keep the idea on a smaller, more playful, colorful scale. Paintings are the ultimate attempt to convert the original digital image into the physical form. Unlike the pigment transfers and drawings, the variables in a painting have many more layers and are susceptible to human error. 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The rohdea japonica is a species of plant native to Japan, China, and Korea. Other names for it include Nippon lily and sacred lily. The plant is tropical-looking, with broad evergreen leaves. If grown to fruit, it produces a tight cluster of small red berries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe book was published in 1832, during the Tenpō era in the Edo period. The era was filled with strife—famine, poverty, and fatal illness struck many small villages around the country—and marked the beginning of the end of feudal governments. These simple, peaceful illustrations stand in contrast with the struggles and fiery rebellions of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the botanics in this illustration are beautiful in their own right, it’s easy to get distracted by the unique, intricate pots holding them. 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She grew up in Amsterdam shortly after the end of tulip mania. A growing merchant class was beginning to appreciate the flower not for herbal or medicinal purposes, but purely for its beauty and fragrance. So it’s no surprise that flowers ended up a lifelong subject for the painter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRuysch’s contemporaries tended to paint tightly focused floral still-lifes, with a clear outline of the entire bouquet and vessel. Ruysch, however, developed a style of her own: lavish and full, her bouquets would spread out spontaneously, filling the frame, woven through with vines, insects, and shells. What seemed so wild and natural was in fact a careful combination of multiple studies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe blossoms featured in \u003cem\u003eFlowers in a Glass Bowl\u003c\/em\u003e are of many different varieties from all over the globe, and they do not bloom at the same time of year. It is highly likely that Ruysch would have had to study the flowers individually, creating sketches to work from, so when she was ready to paint she could combine all sorts of unlikely bedfellows into her lush arrangements. Inspired in part by her father’s work, as well as her many years of practice, Ruysch’s flowers are painted in such close detail they could almost be scientific renderings. This careful attention is part of what gained Ruysch international renown in her time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs modern-day viewers, we may look at Ruysch’s floral work as simply beautiful bouquets. They’re beautiful indeed, but to gain further insight it is important to delve into how her works were viewed by her peers. In her time, certain flowers would have been easily recognized as references to Christianity. The blue morning glories at the bottom left and right of this arrangement symbolized the Resurrection. Morning glories open at dawn — Jesus coming back from the dead at sunrise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile those flowers are freshly opened, it’s also important to note that other items in the bouquet are less than fresh, and that’s on purpose. Leaves starting to spot, a background tulip slowly turning brown: these all represent death. 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All of the posters depicted programs and projects sponsored by the government, ranging from cultural performances to travel to community activities. The posters were printed mainly on pasteboard and were sometimes signed by the artist. In \u003ci\u003eHiking--WPA recreation project, Dist. No. 2\u003c\/i\u003e, you can spot a small signature on the right side of the print: “Beard”. Though “Beard” was likely the artist, the printing of these posters was a collaborative effort. Artists were responsible for design, color selection, and cutting of stencils. The workshop’s technical staff manned the screen printing process. The exchange of ideas between the designers and the printers resulted in a technically and artistically well-balanced poster. \u003ci\u003eHiking--WPA recreation project, Dist. 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No. 2","description":"President Franklin Delano Roosevelt created the Works Progress Administration in 1935 as part of his New Deal program to give jobs to millions of unemployed Americans. In July of that year, Federal Project Number One, a central administration for arts-related projects, was established within the WPA. This administration specifically funded projects for artists, actors, musicians, and writers. One of these was the Federal Art Project, which employed more than five thousand artists throughout the United States in various art projects, including poster divisions.\u003cbr\u003e\u003cbr\u003eThese poster divisions were where pieces like \u003cem\u003eWoman Hiking—WPA recreation project, Dist. No. 2\u003c\/em\u003e would have been made. The original silkscreen, lithograph, and woodcut posters were produced between 1936 and 1943 across seventeen states and the District of Columbia. All of the posters depicted programs and projects sponsored by the government, ranging from cultural performances to travel to community activities. The posters were printed mainly on pasteboard and were sometimes signed by the artist. In \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWoman Hiking—WPA recreation project, Dist. No. 2\u003c\/em\u003e, you can spot a small signature on the left side of the print: “Shari”. Shari Weisberg was the artist of this and many other iconic WPA posters, but the printing of the posters was a collaborative effort. Artists were responsible for design, color selection, and cutting of stencils. The workshop’s technical staff manned the screen printing process. The exchange of ideas between the designers and the printers resulted in a technically and artistically well-balanced poster. \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWoman Hiking—WPA recreation project, Dist. No. 2\u003c\/em\u003e was created in the Chicago, Illinois poster division, as a way of encouraging people to go outside, be in nature, and engage in healthy activity. This piece is especially interesting given that its subject is a lone woman, trekking in nature: a seemingly radical image for the late 1930s.","brand":"Vintage Editions","offers":[{"title":"10\"x8\"","offer_id":12231663616094,"sku":"7521","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":12231663648862,"sku":"7522","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":12231663681630,"sku":"7523","price":275.0,"currency_code":"USD","in_stock":true},{"title":"30\"x24\"","offer_id":12231663714398,"sku":"7524","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/LN2L2yU3mdj6m5x50dMl_qCwUqUo__gNonZwr5pYMtY.png?v=1683230172"},{"product_id":"garys-ice-cream-jacksonville-florida","title":"Gary's Ice Cream, Jacksonville, Florida","description":"The building is now bright orange and patterned with checkerboard accents, rebranded as a barbecue and grill, but in 1979, when John Margolies arrived in Jacksonville, Florida, this little store was Gary’s Ice Cream. Opened in 1950, the stand was nearly 30 years old by the time Margolies photographed it on a Floridian road trip. Though the exterior looks a little worse for wear, we’ll take those prices any day.\u003cbr\u003e\u003cbr\u003eMargolies took these trips to capture images of novelty architecture: the quirky, charming buildings he saw disappearing. His trips were funded by the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, the Alicia Patterson Foundation, and architect Philip Johnson. His images were stark, deliberate, and colorful: his use of slide film lent to richer colors and more contrast, and his choice to shoot on clear, sunny days helped eliminate any visual distraction. These road trips culminated in Margolies’ \u003cem\u003eRoadside America\u003c\/em\u003e collection, an archive of over 30 years of photographs. 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