{"title":"Browse by Orientation: Vertical","description":"Celebrate tall rooms and narrow corners with an eye-catching vertical print. From portraits, scientific illustrations, grids, maps, skyscrapers, and vaulted interiors, choose one of our striking vertical prints and add a custom frame so your print arrives ready to hang!\u003cbr\u003e","products":[{"product_id":"20x200-artist-fund-austria-ski-lodge-in-the","title":"Austria, Ski Lodge in the Alps","description":"Celebrated designer Erich von Wunschheim designed this 1937 travel poster, \u003cem\u003eAustria, Ski Lodge in the Alps\u003c\/em\u003e, for the Austrian tourism board. As stated in a \u003ca href=\"https:\/\/web.archive.org\/web\/20130212112507\/http:\/\/brochures.austria.info\/pdfs\/0000\/4302\/folder_willkommen_in_oesterreich.pdf\"\u003eretrospective\u003c\/a\u003e of travel images by the Austrian National Library: \u003cem\u003eSince 1900, use has been made above all of visual material for advertising purposes.... Until well into the 1970s, the most important medium was the poster. Famous graphic designers used attractive pictorial solutions to attract visitors to the advertised destinations, whether an idyllic lakeside landscape or an impressive mountain scene.... \u003c\/em\u003e \u003cem\u003eAt the same time, the posters reflect the historical development and the story of success of Austrian tourism since 1900. The focus of the pictorial motifs is on the wonderful landscape, whether advertising for Austria as a whole, a particular province, a town or a region. 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Engineer Gustave Eiffel built the wrought-iron lattice tower that bears his name as the entrance arch for the 1889 Exposition Universelle, a world's fair of sorts touting France's past and future contributions to culture, art, science and industry. 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Hood, 1963","description":"\u003cp\u003eRetired Forest Service employee and current avalanche safety expert Roland Emetaz, also known as Mr. Em, shot this photo of Mazamas club climbers on Oregon's Mt. Hood scaling the mountain's Hogsback ridge, which runs from Crater Rock to the so-called Pearly Gates and the summit. Inspired by the Nahuatl Indian word for \"mountain goat,\" Oregon mountaineers, male and female, founded the adventuring club Mazamas (pronounced \"mah-zah-maz\") on the mountain's summit in 1894.\u003c\/p\u003e","brand":"Vintage Editions","offers":[{"title":"10\"x8\"","offer_id":363646791,"sku":"6219","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363646793,"sku":"6220","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363646795,"sku":"6221","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/54o2igpOKsbRw6utjF9fUyr-cuQHbkMqp3UKQ9NGJo8.jpg?v=1683230209"},{"product_id":"20x200-artist-fund-s68-27366","title":"S68-27366","description":"\u003cp\u003eWith men floating in space and a flurry of flames bursting across the sky, our journey into space continues with two more Apollo images from the NASA archives, released in support of the 20x200 Artist Fund: an artist's rendering of extravehicular activities in \u003cem\u003eS69-18547\u003c\/em\u003e, and the launch of a Saturn V rocket, photographed from a chase plane, in \u003cem\u003eS68-27366\u003c\/em\u003e. \u003cem\u003eS69-18547\u003c\/em\u003e imagines, in full color and detail, what might be, and \u003cem\u003eS68-27366\u003c\/em\u003e documents what was: a blur of fire and rocket seemingly fused together. Each depicts what is hard to fathom, the making of what seemed impossible, possible.\u003c\/p\u003e","brand":"Space Editions","offers":[{"title":"10\"x8\"","offer_id":363648337,"sku":"5253","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363648339,"sku":"5254","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363648341,"sku":"5255","price":275.0,"currency_code":"USD","in_stock":true},{"title":"30\"x24\"","offer_id":363648343,"sku":"5256","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/aV82-tRnXM7FtG2-HKpGqMcxk65iJcUSbObYcQFJbK8.jpg?v=1683230529"},{"product_id":"20x200-artist-fund-s68-48662","title":"S68-48662","description":"\u003cp\u003eOctober 11, 1968 was a warm day at Cape Kennedy Air Force Station in Florida, but a cool breeze rustled through palm fronds, comforting trousered onlookers, captured in black and white in \u003cem\u003eS68-48662\u003c\/em\u003e as the Apollo 7 lifted off. As the astronauts experienced their first liquid hydrogen-fueled ride, commander Walter M. Schirra Jr. reported, \"She is riding like a dream.\" The crew orbited the Earth for 11 days, sending back the first live television broadcast from an American spacecraft.\u003c\/p\u003e","brand":"Space Editions","offers":[{"title":"10\"x8\"","offer_id":363648433,"sku":"5250","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363648435,"sku":"5251","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363648437,"sku":"5252","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/u21hTfFIAG3q_yYuodE6BihYeeg5OxLHC4ubWc6JUtc.jpg?v=1683229689"},{"product_id":"aaron-straup-cope-prettymaps-amsterdam","title":"prettymaps (amsterdam)","description":"\u003cp\u003eI'd like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. We've spent so long fussing over the relentless details in cartography that we've sort of forgotten what things (should) look like at a distance. This August 2010 version of prettymaps is codenamed \"Isola\", after the Finnish textile designer Maija Isola. At a time when the tools for making custom maps and bespoke cartographies are becoming easier* and more accessible, it is nice to look back at her work and imagine the maps she might have made if she were alive today. prettymaps is an experimental map from Stamen Design.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003e\u003csmall\u003e\u003csmall\u003e*\u003c\/small\u003e Road, highway and path data collected by the \u003ca href=\"http:\/\/www.openstreetmap.org\/\"\u003eOpenStreetMap\u003c\/a\u003e (OSM) project.\u003c\/small\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Aaron Straup Cope","offers":[{"title":"10\"x8\"","offer_id":363656625,"sku":"5154","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363656627,"sku":"5155","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363656629,"sku":"5156","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363656631,"sku":"5157","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/8jT6kOsduU9dRBR5Y81ha1Qvcd4os4uzYoaPnvHfR_M.jpg?v=1683230542"},{"product_id":"aaron-straup-cope-prettymaps-boston","title":"prettymaps (boston)","description":"\u003cp\u003eI'd like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. We've spent so long fussing over the relentless details in cartography that we've sort of forgotten what things (should) look like at a distance. This August 2010 version of \u003cem\u003eprettymaps\u003c\/em\u003e is codenamed \"Isola\" after the Finnish textile designer Maija Isola. At a time when the tools for making custom maps and bespoke cartographies are becoming easier and more accessible, it is nice to look back at her work and imagine the maps she might have made if she were alive today. \u003cem\u003eprettymaps\u003c\/em\u003e is an experimental map from Stamen Design.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003e\u003csmall\u003e*\u003c\/small\u003e Road, highway and path data collected by the \u003ca href=\"http:\/\/www.openstreetmap.org\/\"\u003eOpenStreetMap\u003c\/a\u003e (OSM) project.\u003c\/small\u003e\u003c\/p\u003e","brand":"Aaron Straup Cope","offers":[{"title":"10\"x8\"","offer_id":363656739,"sku":"4844","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363656741,"sku":"4843","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363656743,"sku":"4837","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363656745,"sku":"4922","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/wcG3nEi1gwx5O5uNfozjmdeXMlwiSA1NDLT4qM7maJs.jpg?v=1683228226"},{"product_id":"aaron-straup-cope-prettymaps-chicago","title":"prettymaps (chicago)","description":"\u003cp\u003eI'd like to generate map tiles that give you that same dizzy feeling you get when you look down at a city at night, from an airplane. We've spent so long fussing over the relentless details in cartography that we've sort of forgotten what things (should) look like at a distance. This August 2010 version of \u003cem\u003eprettymaps\u003c\/em\u003e is codenamed \"Isola\" after the Finnish textile designer Maija Isola. At a time when the tools for making custom maps and bespoke cartographies are becoming easier* and more accessible, it is nice to look back at her work and imagine the maps she might have made if she were alive today. \u003cem\u003eprettymaps\u003c\/em\u003e is an experimental map from Stamen Design.\u003c\/p\u003e\n\u003cp\u003e\u003csmall\u003e* Road, highway and path data collected by the \u003ca href=\"http:\/\/www.openstreetmap.org\/\"\u003eOpenStreetMap\u003c\/a\u003e (OSM) project.\u003c\/small\u003e\u003c\/p\u003e","brand":"Aaron Straup Cope","offers":[{"title":"10\"x8\"","offer_id":363656851,"sku":"4833","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363656853,"sku":"4832","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363656855,"sku":"4831","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363656857,"sku":"4928","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/bZWvDi8xDJ3kQGJrzBoVqwVYb3m4jgQ2OSA8hlaxoJo.jpg?v=1683229602"},{"product_id":"ann-toebbe-red-plastic-plates","title":"Red Plastic Plates","description":"\u003cp\u003eI paint interiors from memory. I choose a room that I can recall in detail, like my parent's dining room in \u003cem\u003eRed Plastic Plates\u003c\/em\u003e. The original artwork is made from cut paper, which I paint by hand on my studio floor, then cut into the shapes that make up the room. The cut paper pieces are even flatter, more graphic and labor-intensive than my paintings, yet more physical, due to the layers of paper; up close, you can see the glue and little imperfections that don't exist in my paintings. Living on the East Coast made me acutely aware of the aesthetics of my midwestern upbringing. My experiences in New York and at Yale University cast my family's home and lifestyle in a different light: a pragmatic, mundane (and rather flat) sense of beauty, unburdened by high ideas or refinements of style. The combination of my earlier working-class tastes and the later-acquired, intensely cosmopolitan awareness of style has shaped who I am as a painter. \u003cem\u003eRed Plastic Plates\u003c\/em\u003e captures the humor of the culture clash I sometimes feel when I introduce new people to my family. My husband and stepson were visiting my parents' home in Cincinnati for the first time, and my mother, to my horror, insisted on serving dinner in the dining room on red plastic plates with plastic cups, plastic silverware and paper napkins. I love my mother and can now thank her for creating the image for \u003cem\u003eRed Plastic Plates\u003c\/em\u003e.\u003c\/p\u003e","brand":"Ann Toebbe","offers":[{"title":"11\"x8.5\"","offer_id":363678889,"sku":"2463","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363678891,"sku":"2462","price":85.0,"currency_code":"USD","in_stock":true},{"title":"22\"x17\"","offer_id":363678893,"sku":"2461","price":275.0,"currency_code":"USD","in_stock":true},{"title":"40\"x30\"","offer_id":363678895,"sku":"2464","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/Ab3HY_uzIvHz-NpGegYvpetF81yZpqILwhenrbJPdx0.jpg?v=1683229070"},{"product_id":"berenice-abbott-brooklyn-bridge-water-and-dock","title":"Brooklyn Bridge, Water and Dock Streets, looking southwest, Brooklyn","description":"\u003cp\u003eBerenice Abbott's introduction to New York in 1929 was a rude, energizing awakening. \"I came to New York on a visit and I got a little homesick,\" she said once. \"It's like a novelist who gets a bug in his head. How does any artist get his ideas, his sunburst out of the blue? There is such a bang. There it was, for better or for worse. I was shocked and excited by New York, its changes.\" Primed by this \"bang,\" Abbott went about the city finding perches and angles from which to capture a city in flux and dealing strategically with the realities of being one of two women shooting on the street. \"There were women, like Margaret Bourke-White, but there weren't many women photographers and that didn't make it easier. Women did not wear slacks then; they wore skirts. When I photographed New York, I put on ski pants. Truck drivers yelled at me, 'Lady, take that off.' It bothered me, it even bothered me when people gathered around as I was setting up my camera in the street. 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The photographer climbed to the ninth floor of the General Motors Building and peered through the Schenley Distillers Corporation billboard for this view of Broadway, Central Park West and West 59th St. Just beyond Gaetano Russo's statue of C.C., we see the two-story American Circle Building topped by a Coca Cola ad, a sign touting the musical review At Home Abroad and the newly-built Mayflower Hotel in the background.\u003c\/p\u003e","brand":"Berenice Abbott","offers":[{"title":"10\"x8\"","offer_id":363757501,"sku":"5804","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363757503,"sku":"5805","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363757507,"sku":"5806","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/YS624kKWkQFmQPsEdUcL3KMPTjVHjBI4c7L1TzDa1dQ.jpg?v=1683228927"},{"product_id":"berenice-abbott-court-of-first-model-tenement","title":"Court of First Model Tenement House in New York, 1936","description":"\u003cp\u003eNew York City's swanky Upper East Side is not where one would expect to find low-income tenement housing today. But that's just where, in 1936, on a blustery winter day, photographer Berenice Abbott photographed the Court of the First Model Tenements (post reform), for her Changing New York project. Front and center in the image is a five-story pole, which was embedded in concrete and, with the aide from pulleys, supported laundry lines for the tenement dwellers. Clotheslines marked many an urban landscape in New York City's history, often seen as a characteristic of its working class, lower-income denizens. In this beautiful shot, the diagonal laundry lines (of which Berenice said the clothes were frozen stiff) create geometric abstractions while speaking to the intersection of the buildings' myriad cultures. 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How does any artist get his ideas, his sunburst out of the blue? There is such a bang. There it was, for better or for worse. I was shocked and excited by New York, its changes.\" Primed by this \"bang,\" Abbott went about the city finding perches and angles from which to capture a city in flux and dealing strategically with the realities of being one of two women shooting on the street. \"There were women, like Margaret Bourke-White, but there weren't many women photographers and that didn't make it easier. Women did not wear slacks then; they wore skirts. When I photographed New York, I put on ski pants. Truck drivers yelled at me, 'Lady, take that off.' It bothered me, it even bothered me when people gathered around as I was setting up my camera in the street. 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She took this image on December 5, 1935 with an eye to illuminating the play between all of the urban elements, while capturing the ever-increasing dominance of the New York skyscraper. She wrote once: \"The concern is not with the architectural rendering of detail, the buildings of 1935 overshadowing all else, but with a synthesis which shows the skyscraper in relation to the less colossal edifices which preceded it: city vistas, waterways, highways and means of transportation; areas where peculiarly urban aspects of human living can be observed; city squares where the trees die for lack of sun and air; narrow and dark canyons where visibility fails because there is no light; litter blowing about a waterfront slip; relics of the age of General Grant and Queen Victoria where these have survived; the onward march of the steam shovel, all these things and many more comprise New York City in 1935.\"\u003c\/p\u003e","brand":"Berenice Abbott","offers":[{"title":"10\"x8\"","offer_id":363758481,"sku":"5863","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":363758483,"sku":"5864","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":363758485,"sku":"5865","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/JNUUDMce3AfYbruy7rIeGtSi70utQcvL6CNMM8VgzA0.jpg?v=1683230666"},{"product_id":"berenice-abbott-theoline-pier-11-east-river","title":"Theoline, Pier 11, East River, Manhattan","description":"\u003cp\u003eBerenice Abbott's introduction to New York in 1929 was a rude, energizing awakening. \"I came to New York on a visit and I got a little homesick,\" she said once. \"It's like a novelist who gets a bug in his head. How does any artist get his ideas, his sunburst out of the blue? There is such a bang. There it was, for better or for worse. I was shocked and excited by New York, its changes.\" Primed by this \"bang,\" Abbott went about the city finding perches and angles from which to capture a city in flux and dealing strategically with the realities of being one of two women shooting on the street. \"There were women, like Margaret Bourke-White, but there weren't many women photographers and that didn't make it easier. Women did not wear slacks then; they wore skirts. When I photographed New York, I put on ski pants. Truck drivers yelled at me, 'Lady, take that off.' It bothered me, it even bothered me when people gathered around as I was setting up my camera in the street. 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And the majestic sunsets' invisible grips that hang above New Jersey each afternoon transform the east-west canyons into a play of silhouettes.\u003c\/p\u003e","brand":"Jorge Colombo","offers":[{"title":"10\"x8\"","offer_id":364367015,"sku":"4613","price":40.0,"currency_code":"USD","in_stock":false},{"title":"14\"x11\"","offer_id":364367017,"sku":"4612","price":85.0,"currency_code":"USD","in_stock":true},{"title":"20\"x16\"","offer_id":364367019,"sku":"4611","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0265\/3475\/files\/Qvz9QbkYv9Gx47b1pjcHdhk0o9R08QRzpZPSleIvoRU.jpg?v=1683228364"},{"product_id":"jorge-colombo-queens","title":"Queens","description":"\u003cp\u003eThese are drawn on location using an iPhone application called Brushes. No photo references, no tablets, no brushes to wash: just my finger on the tiny touch screen. Don't even need a proper light: the drawing itself glows in a dark corner. 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