Modern Art

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More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement


This is adapted from a piece I did for a show at the U-turn Art Space in the impossible-to-spell city of Cincinnati. I wanted to somehow create a New Math of Relationships. The problem with relationships is that their complexity belies quantification. Or, at least, the kind of quantification that I'm capable of. There is, of course, the binary example used in The Facts of Life theme song, "You take the good, you take the bad, you take them both and there you have the facts of life, the facts of life", but that seems simplistic. I think of this piece a little bit like Ray and Charles Eames' The Powers of Ten in that as we get further away, and more equations enter the piece, we see the complexities of relationships a little more. The truth is that this tapestry of equations could stretch forever, or at least as far as human interaction stretches. And that's, I suppose, what makes relationships so difficult, so rewarding, so brilliant and impossible. And there you have the facts of life.


Craig Damrauer | See All Editions


Craig Damrauer was born and raised in Denver, Colorado, by a pack of wild scientists. Having learned hunting, howling and essential tools for survival from them, he now lives and works in Brooklyn with his wife and two kids.   He graduated with an MFA from the University of Arizona in 1996. His work has been shown at the Museum of Contemporary Art Denver, and at LACE in Los Angeles in January 2011. It has appeared in the New York Times, GOOD, Bookforum and Adbusters, as well as Open Daybook, published in December 2010 by Mark Batty Publisher, and Issue 3 of Anathema. A version of his project New Math was edited by Ed Ruscha and published by CT Editions in London.