Bronx River, Summer 2007

Select your print and framing options

11"x14" SOLD OUT
$60

Custom Frame Learn more

16.5x19.5 - Black - Matted      OUR PICK

16.5x19.5 - White - Matted

Shipping available within the US only

16"x20" SOLD OUT
$240

Custom Frame Learn more

22.5x27.5 - Black - Matted      OUR PICK

22.5x27.5 - White - Matted

Shipping available within the US only

30"x40" SOLD OUT
$2400

Custom Frame Learn more

30x40 - Black - Framed to Image      OUR PICK

30x40 - White - Framed to Image

Shipping available within the US only

More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement

 

This photograph is part of our Art for Sandy Relief project released in collaboration with TIME's photo editors. All net proceeds of these editions support six local charities. Learn more about these specialized organizations here. Each image celebrates the city and its environs past and present, showcasing both the scenic grandeur and the charismatic personalities that define this ever-changing and now forever-changed landscape. They provide a graceful, instantly iconic window on regions hardest hit by Hurricane Sandy.

 

Joel Meyerowitz | See All Editions

 

Joel Meyerowitz is recognized as one of the earliest and most accomplished advocates of color fine art photography, and today he is among the world's most prominent and respected documentarians. He was the only photographer to be given unimpeded access to Ground Zero in the wake of 9/11. The images he captured have formed the foundation of a major national archive, and an exhibition of selected images has traveled to more than 200 cities in 60 countries. He has since produced over a dozen photo books, and a full survey of his career was published by Phaidon in 2010.  Joel Meyerowitz began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, <em>Bystander: A History of Street Photography</em>, Bulfinch Press, 1994) he transformed the mode with his pioneering use of color. His first book, <em>Cape Light</em> (1978), is a much beloved classic of color photography and has sold more than 100,000 copies. And in <em>Wild Flowers</em> (1983), he also demonstrated a comic appreciation for the blending of nature and artifice on ordinary city streets. He has since turned his attention to portraits (<em>Redheads</em>, 1991) and landscape (<em>Tuscany: Inside the Light</em>, 2003), and in 1998 he produced and directed his first film, <em>Pop</em>, an intimate diary of a three-week road trip made with his son, Sasha, and his aging father, Hy. More recently, Meyerowitz has spent three years capturing wild areas in New York City's parks. Selections from the project were exhibited at the Museum of the City of New York (2009-10), and they have been published in <em>Legacy: The Preservation of Wilderness in New York City Parks</em> (Aperture, 2009).  Joel Meyerowitz lives and works in New York. Among his first important exhibitions were those at Eastman House, Rochester, in 1966, and <em>My European Trip</em> at the Museum of Modern Art, New York, in 1968. He represented the United States at the Venice Biennale for Architecture in 2002, and he has been the recipient of over a dozen awards, including the Guggenheim Fellowship and the Deutscher Fotobuchpreis. His work can be found in many major public collections, including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York.