Untitled (Hanoi no.2)

by Kelly Shimoda

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Artist Statement

I capture images to feed my obsession with the intricacies of human behavior._I am fascinated by the way humans interact with their environments: how they construct spaces for themselves and others, how they move through those spaces and how those spaces become reflections of their inhabitants. Through both still and moving images, I examine encounters, moments and arrangements of objects, revealing patterns in our collective actions and insight into our collective psychology._I am interested in finding and sharing images that resonate with viewers emotionally, such that they might feel more connected to the world or gain a deeper level of awareness about themselves and their surroundings.

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Medium:

Edition Structure:
10"x6" | edition of 200 
20"x13" | edition of 20
40"x26" | edition of 2

Kelly Shimoda

I was born in Southern California and raised in New England, lived in New York City (with a brief stint in Barcelona) and the Hudson Valley, and three years ago moved to the Bay Area where I now live with my husband, daughter, and cat. I worked in education and international communications before deciding to pursue my passion for photography, which I did for several years. Exploring my creativity through photography expanded my horizons and led me to want to work with clay, although the creative processes of making photography and ceramics appeal to me in similar ways. I used... Read More
to love the anticipation of waiting for film to be developed and prints to be made, and now I do the same for objects I’ve built by hand as they undergo repeated firings, before I know what I have. I’m currently loving attempting to balance motherhood and ceramics.
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