Select your print and framing options

8"x8" SOLD OUT

Custom Frame Learn more

14.0x14.0 - Black - Matted      OUR PICK

14.0x14.0 - White - Matted

Shipping available within the US only

11"x11" SOLD OUT

Custom Frame Learn more

16.5x16.5 - Black - Matted      OUR PICK

16.5x16.5 - White - Matted

Shipping available within the US only

16"x16" SOLD OUT

Custom Frame Learn more

22.5x22.5 - Black - Matted      OUR PICK

22.5x22.5 - White - Matted

Shipping available within the US only

More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement


Like many kids raised in the '70s, I was influenced at an early age by Star Wars and comic books: worlds of inventive fantasy. Unlike many kids, I grew up just a few miles from the Vegas strip, its neon and glitz looming over the city. A lot of my work deals with childhood memories and popular imagery, attempting to make the work both personal and universal. Through this process I reference the past, while simultaneously lending my own post-modern sensibility to it, employing a limited palette, repetition, distortion and mixed-media materials, including spray paint, silkscreen, collage, cel-vinyl, glossy varnishes and dusty stains. The pieces are often rounded at the edges, appearing as prized objects; tablets encoded with civilization's most iconic collective wisdom.


Mark Todd | See All Editions


Mark graduated with honors from Art Center College of Design in 1993. He then moved to New York to pursue a career in illustration. Early clients included the New Yorker, Rolling Stone and Sony Music. In 2003, he returned to the Los Angeles area with his wife, fellow artist Esther Pearl Watson, broadened his work and began showing in galleries, while continuing to work with clients such as Country Music Television, Getty Publications, McSweeney's, The New York Times, Los Angeles Times, GQ and Hurley. He recently served on the board of ICON, the illustration conference, and currently teaches at Art Center, his alma mater.