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14"x11" SOLD OUT
$60

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16.5x19.5 - Black - Matted

16.5x19.5 - White - Matted      OUR PICK

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10"x8" SOLD OUT
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14.0x16.5 - Black - Matted

14.0x16.5 - White - Matted      OUR PICK

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20"x16" SOLD OUT
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22.5x27.5 - Black - Matted

22.5x27.5 - White - Matted      OUR PICK

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More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement

 

When I was in Miami during Art Basel last December, I conducted an interview with New York Times journalist Damien Cave, who repeatedly asked, "What's the alternative to the art market?" The question is not an easy one to answer. Short of radical social and economic reform, which seems incredibly unlikely in our pro-Capitalist, market-trusting society, I struggled to articulate my thoughts surrounded by the spectacle of Basel. While I was down there, I also saw Jen Bekman's booth at PULSE and it reminded me that one of my answers to Mr. Cave should have immediately been "access." Access to contemporary art is often restricted by high prices, including my own, that put it out of reach of the majority of people who love art. 20x200 offers a way to make art and the experience of buying art accessible to the broader public than the limited pool of collectors who have the means to buy unique and often wildly expensive art objects. Art, in many ways, is a luxury commodity, and the larger question remains, "What is enough?" I believe that it's a matter of scale; prices leap from hundreds to hundreds of thousands based on branding and marketing. I hope that established artists who command hundreds of thousands of dollars for their art will consider what it means to sell to a very small collector class. Are they really reflecting their own creative expression, or the tastes of the ruling class? I don't begrudge their wealth or values, but I do believe that art is made freely and for more than those who can afford to own it. -William Powhida, Maker*

*Please see my bio for William Powhida the "Genius"

 

William Powhida | See All Editions

 

William Powhida makes fun of the art world to highlight the paradoxes and absurdities of economic and social value systems that keep the sphere of visual art afloat on a tide of inequality. His work relies on research and participation to diagram, list, perform and critique the forces that shape perceptions of value. He is responsible or partly responsible for exhibitions including "Overculture" at Postmasters Gallery, "Bill by Bill" at Charlie James Gallery, "POWHIDA" at Marlborough Gallery and "#class" at Winkleman Gallery.