The Dove, No. 1, Group IX/UW in a white frame on a wall
The Dove, No. 1, Group IX/UW in a white frame on a wall

The Dove, No. 1, Group IX/UW

Hilma af Klint
$85.00
Size

Add Custom Frame

Frames ship to U.S. addresses only. Framed prints ship in 2–4 weeks and are final sale. Full framing details

Add Custom Frame

Frames ship to U.S. addresses only. Framed prints ship in 2–4 weeks and are final sale. Full framing details

Add Custom Frame

Frames ship to U.S. addresses only. Framed prints ship in 2–4 weeks and are final sale. Full framing details

Add Custom Frame

Frames ship to U.S. addresses only. Framed prints ship in 2–4 weeks and are final sale. Full framing details
Artist Statement

Created in 1910, The Dove, No. 1 follows af Klint's signature study of dualities. The dove—which represents peace and is often associated with Christianity and the Holy Spirit—is bisected by the vertical helix, a nod to science and mathematics (though predating the discovery of DNA). Religion and science are harmoniously woven throughout the work from the symbolism of darkness and light to the delicate rainbow color refractions carefully executed with geometric precision.

Why We Love It

Similar to the Swan Series, The Dove, No. 1 and others in this series strive for equilibrium, often displaying a single form repeated or mirrored in abstract ways across the canvas. At first glance, the composition of The Dove, No. 1 might seem like a departure from af Klint's more biomorphic, organic style pieces, but closer consideration reveals the underlying themes of spiritualism, symbolism, and color-coding which are woven throughout her entire body of work.

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches and maximum of 2.5” to allow for framing.

Medium

Innova Soft White Cotton IFA 15

10"x8" | edition of 10
14"x11" | edition of 200
20"x16" | edition of 50
24"x20" | edition of 25
Portrait of Hilma af Klint

Hilma af Klint

Hilma af Klint (1862-1944) was a Swedish artist and spiritualist whose colossal works have become known as some of the first examples of abstract art. With an early interest in visual art, mathematics, and botany, af Klint attended the Royal Academy of Fine Arts in Stockholm where she excelled in landscape painting and portraiture. While making a living off commission from these conventional endeavors, af Klint became greatly involved in various forms of spiritualism including Anthroposophy, Theosophy, and Rosicrucianism. In the 1890s, she met four other female artists—together, they would become known as “The Five”. The Five met regularly, believing they could communicate with a higher consciousness. These beliefs heavily influenced and even “directed” af Klint’s work. She created her first series of abstract works in 1906, predating other artists such as Kandinsky and Mondrian, who are often regarded as the “pioneers of abstraction”. Soon she began to develop a more intentional and independent expression of her ideas, incorporating biomorphic forms, mathematical proportions, and vibrant hues. 

Af Klint rarely exhibited her work and believed her contemporaries were not ready to fully understand it. Stipulating later in life that it should not be shown until 20 years after her death, her work was largely unknown until the 1980s. Af Klint painted for a future audience, one willing to embrace a female pioneer in the field and the holistic nature of her work.