Untitled (Champagne & Cigarette)

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by Willem van de Poll

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Artist Statement

Untitled (Champagne & Cigarette) is a total M O O D. Shot in 1936 for Vogue and De Bijenkorf department stores, the photo is a master class in atmosphere. A woman’s hand festooned in gemmed finery rests delicately on a single glass of champagne while the other lightly clutches a lit cigarette. The stage is set upon a pristinely pressed tablecloth bathed in bright, theatrical lighting, as if we’ve caught madame mid-digestif following a decadent meal. Yet, using soft blurring and pointed focus, van de Poll ensures the jewels are the true stars of the show.

Why We Love It

Everyone loves a good candy deal, but after two years in sweatpants who doesn’t need a little extra glitz and glam? Dust off those diamonds with the ultimate Galentine’s day vibes in our newest Vintage Edition, Untitled (Champagne & Cigarette) by Willem van de Poll.

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches and maximum of 2.5” to allow for framing.

Medium:

Medium:                                                                                                                                                              Hahnemuhle Fine Art Baryta

Edition Structure:                                                                                                                                                        8"x10" | edition of 10
11"x14" | edition of 200
16"x20" | edition of 25
20"x24" | edition of 10
24"x30" | edition of 5

Willem van de Poll

Born in Amsterdam in 1895, Willem van de Poll moved to Vienna in 1919 to train, and shortly after, began his career as an independent itinerant press photographer throughout Europe, the Middle East, and Indonesia. He enjoyed great success not only in photojournalism for various magazines and news agencies but also in advertising photography and fashion reporting for Vogue and Harper’s Bazaar. His career expanded to a multitude of industries and influential circles, and during WWII, he became the house photographer for the Dutch Royal Family.
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