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Milk Drop Coronet

  • $40.00

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

American scientist Harold “Doc” Edgerton was nicknamed “Papa Flash” for a reason: he pioneered the usage and subsequent popularization of the stroboscope in the photography of momentary events, enabling the capture of an image in split seconds. Milk Drop Coronet, our newest Vintage Edition, is one of his more iconic triumphs. Like the popped balloons he captured mid-explosion, Edgerton enabled the human eye to witness never before seen fragments of time. Milk Drop Coronet, as the name suggests, is his freeze frame of a single drop of milk coming into contact with a red pan, undulating outwards from the center of impact, and shooting upwards like ocean waves to form the shape of a queen’s crown. The poetic and balletic micro-spectacle awes, not just from an artistic perspective, but a scientific one as well.

The stroboscope utilized by Edgerton produced rapid electronic flashes to capture these split-second images (you know, like a strobe light) and had been a prominent part of Albanian photographer Gjon Milli’s arsenal throughout his time photographing various subjects for Life Magazine in the 1930s. Edgerton and Milli formed a lifelong alliance in that same decade, and, being a scientist, Edgerton realized the research potential inherent in the photographic technique enabled by the tool. Nobody had seen or been able to study images of a flying bullet until Edgerton’s work with the stroboscope and shadowgraph, another photographic approach he harnessed. 

Milk Drop Coronet, taken in 1957, made a splash in both the art world and the scientific community when it debuted. The photograph has been shown in multiple museums, and was lauded as one of the most influential photographs of all time by–who else–Time Magazine (see this TIME video for additional context). Edgerton’s humble setup of this captivating scene involved positioning a milk-filled dropper over the selected pan, releasing drops one after another. The first droplet’s collision with the pan is depicted here as a second droplet begins to descend from the top of the frame. 

Edgerton’s strikingly beautiful freeze frame makes the viewer ponder infinity both spiritually and physically–not just the concept of time’s forward march, but the preciousness of even the smallest measures of time that pass us by without notice or documentation. The precious profundity of the micro lends perspective to the macro; a symphony in a droplet. 

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Moab Lasal Exhibition Lustre

10"x8" | Edition of 10
14"x11" | Edition of 200
20"x16" | Edition of 50
24"x20" | Edition of 10
30"x24" | Edition of 5