Migrant Worker on California Highway

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More About This Edition:

More About This Edition:
+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement

 

It could be said the American Dream took shape in the shadow of the Dust Bowl and the Great Depression, defined by the Americans who travelled the long, rocky road toward the chance to achieve it. It makes sense that a light powerful enough to crack through the darkest days would have the strength to shine still, almost a century later. It's an enduring dream we can see suggestions of in Dorothea Lange's work.

Over a million people headed West in pursuit of that dream, looking to escape a life of destitution, lift themselves from poverty, and provide for their families. What formed was a nomadic, boot-strapped workforce made up of migrant workers. Armed with a camera, Lange embarked on a mission to document their experience on behalf of the FSA, producing photographs that would become some of the most recognizable images of Depression-era America. This edition reminds us why Lange will always lay claim to a paramount place in American history.

 

Dorothea Lange | See All Editions

 

Dorothea Lange was an American photographer most famous for her photography of agricultural workers and their migration during the Great Depression. Her most famous photograph is the iconic, Migrant Mother, Nipomo, California (1936), which endures as the defining image of the era. In 1941 she was awarded a prestigious Guggenheim Fellowship, and this allowed her to take a series of photographs of religious groups in the USA, such as those of the Amish people.

From 1914 to 1917 she attended the New York Training School for Teachers and there decided to become a photographer, partly influenced by visits to the photographer Arnold Genthe. From 1917 to 1918 she attended a photography course run by Clarence H. White at Columbia University, NY. Lange moved to San Francisco in 1918, and in 1919 she set up a successful portrait studio where she took works such as Clayburgh Children, San Francisco. In the late 1920s she became dissatisfied with studio work and experimented with landscape and plant photography, although she found the results unsatisfactory.

With the Stock Market crash of 1929 Lange decided to look for subjects outside her studio. Turning to the effects of the economic decline she took photographs like General Strike, San Francisco. She had her first one-woman show at the Brockhurst Studio of Willard Van Dyke in Oakland, CA in 1934, and in the same year met the economist Paul Schuster Taylor, under whom she worked for the California State Emergency Relief Administration in 1935.

Later in 1935 she transferred to the Resettlement Administration, set up to deal with the problem of the migration of agricultural workers. She continued to work for this body, through its various transformations (including its time as the Farm Security Administration), until 1942. In 1939, in collaboration with Taylor, who provided the text, she published An American Exodus, of her portraits of migrant workers. In 1942 she worked for the War Relocation Authority and from 1943 to 1945 for the Office of War Information in San Francisco. Illness prevented her working from 1945 to 1951, after which she produced photographs of the Mormons and of rural life in Ireland for articles in Life in 1954 and 1955. In the late 1950's and early 1960s she worked with Taylor in East Asia, South America, Egypt, and the Middle East.

-Oxford University Press

Vintage Editions | See All Editions

 

For our Vintage Editions series, our curators scour historical archives for both timeless classics and heretofore unseen gems. These images come back to life as exhibition-quality prints now available to everyone. As a bonus, purchasing equals patronage: sales from Vintage Editions prints go towards supporting our growing roster of artists.