(re)surfacing

by e bond

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Artist Statement

i constantly seek to define the indefinable. a fool’s errand, but i try. with this project, i started with the idea of mapping imaginary places and then each randomly, unexpectedly, beautifully, became emotional spaces. and that’s when i realized it. those are the spaces we spend most of our time.

Why We Love It

(re)surfacing is the result of bond’s ongoing endeavor to map the infinite and inscrutable, an undertaking she approaches with aplomb and a rather refreshing willingness to wind herself into the unexpected. What began as a means of charting imagined territory transformed into a meditation on the beautifully ambiguous, omnipresent nature of emotional spaces—the places where, she rightfully notes, we spend more time than anywhere else. Separate amoebas of fine, concentric circles overlap each other as if to signify a sort of collision or interconnectedness. They feel personal as fingerprints, telling as rings on a tree, but more an active practice of exploration than an achievement of certainty ... Read more on the blog! 

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Medium:

Museo Portfolio Rag

Edition Structure:
8"x8" | edition of 20
11"x11" | edition of 100
16"x16" | edition of 50
24"x24" | edition of 10
40"x40" | edition of 2

e bond

e bond is an artist + writer + bookbinder + educator + designer. currently, she makes digital spaces by day, handmade books by night, hangs out with ancient trees on weekends and writes something close to poems in the spaces between. under the studio name roughdrAftbooks—created in 2003—she creates artists’ books, handmade journals and mixed media pieces that blur the boundaries of art, craft, design and poetry.
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