Drawings for 3 Rooms in Your Home: #1

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8"x10" SOLD OUT

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14.0x16.5 - Black - Floated      OUR PICK

14.0x16.5 - White - Floated

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11"x14" SOLD OUT

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14.0x17.0 - Black - Floated      OUR PICK

14.0x17.0 - White - Floated

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16"x20" 5 of 50 available

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19.0x23.0 - Black - Floated      OUR PICK

19.0x23.0 - White - Floated

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30"x40" 2 of 2 available

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30x40 - Black - Framed to Image      OUR PICK

30x40 - White - Framed to Image

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Medium: Lexjet Sunset Cotton Etching
More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement


Whenever asked, "How long did it take you to make this?" I always respond, "My whole life up to that moment." And it's true. I never liked the idea that someone could just buy my work. I develop ideas forever, then struggle with finding a way to execute them that makes sense, often traversing through several iterations. And then someone writes a check and that's the end. What? I work too hard on this stuff. Simply paying for it and hanging it on a wall is too easy. I don't want anything I do becoming another inanimate object that decorates someone's home. I want more. I want ramifications! So I came up with this. This feels more like a real transaction. Yes, you get to own something I made, but you also accept some responsibility. Put this on your wall and you have to be more honest as a result. It's more than just an image, it becomes a point of interaction with everyone who comes into your home. It's simple ink on paper, but wherever it hangs, there're social implications. It's not for everyone.


Steve Lambert | See All Editions


Steve Lambert’s father, a former Franciscan monk, and mother, an ex-Dominican nun, imbued the values of dedication, study, poverty and service to others–qualities which prepared him for life as an artist. For Lambert, art is a bridge that connects uncommon, idealistic or even radical ideas with everyday life. In 2008, Lambert worked with hundreds of people on The New York Times Special Edition, a utopian version of the paper announcing the end of the wars in Iraq and Afghanistan and other good news. In 2011, he built a 20x9-foot sign that reads CAPITALISM WORKS FOR ME! and allows passersby to vote TRUE or FALSE; he is touring it across the United States.  He has collaborated with groups from the Yes Men to the Graffiti Research Lab and Greenpeace. He was a Senior Fellow at New York’s Eyebeam Center for Art and Technology and founded and currently co-directs the Center for Artistic Activism.