Transmission Lines in Mojave Desert
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It seems surprising that Ansel Adams would come across transmission lines in the midst of such a sparsely populated desert, but the lines led back to the Hoover Dam (also known then as the Boulder Dam). The dam had finished construction just six years before Adams took this image in 1942.
A tireless photographer, environmental activist, and writer, Ansel Adams captured the wild of America as no artist before or since. Considered one of the last defining figures of nineteenth-century American landscape imagery, Adams dedicated himself to both his art and his subjects. The sweeping landscapes established him as an expert in photography at the time, consulting for multiple camera manufacturers and developing the zone systemó?, a technique enabling photographers to visualize an image and produce a matching photograph by controlling exposure and the developing process. His expertise was not just in his art, but also in his knowledge of the canyons, cliffs, forests, and plains that were his subjects. A vocal environmental and wilderness activist, Adams advocated for the conservation of state parks. His work is a continuing testament to his passion for the wilderness of America.
In 1941 the National Park Service commissioned Adams to create a photo mural for the Department of the Interior Building in Washington, DC. The theme was to be nature as exemplified and protected in the U.S. National Parks. The project was halted because of World War II and never resumed. Much of the project is now kept in the National Archives. This photograph is from the initial National Park Service project.
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