Animal Pairs
Regular price
$20.00
Style
We’re back with four(!) new handmade letterpress prints featuring the legendary work of Dutch artist Samuel Jessurun de Mesquita (1868-1944). We teamed up once again with Daniel Gardiner Morris from The Arm Letterpress in Brooklyn to revamp these historical gems in richly textured letterpress form.
We’ve revived four of de Mesquita’s Animal Pairs—Sea Lions, Cows, Gazelles, and Pigeons—in delightfully distinct 5.25”x10” prints, each with their own unique imprint and form. Using a deep charcoal ink on creamy warm paper, these letterpress lovelies are a modern spin on traditional methods.
We first collaborated with Daniel Gardiner Morris on our letterpress remake of Albrecht Dürer’s Six Studies of Pillows. While Dürer’s sketches were originally produced as a copper engraving, de Mesquita worked in woodcuts. Ink is applied to the raised areas of the carving in the former and to the recessed areas in the latter. Hundreds of years later, both styles of printmaking are still very much in use, albeit with a few modern conveniences. To produce our modern reimaginings, Morris creates a digital vector of the original image, outputs the negative image to film, and exposes a photopolymer plate. This plate can then be washed out to create the relief artwork from which a print can be made. He then inks the plate and creates letterpress prints using a hand-fed 1960s Vandercook press.
We’ve revived four of de Mesquita’s Animal Pairs—Sea Lions, Cows, Gazelles, and Pigeons—in delightfully distinct 5.25”x10” prints, each with their own unique imprint and form. Using a deep charcoal ink on creamy warm paper, these letterpress lovelies are a modern spin on traditional methods.
We first collaborated with Daniel Gardiner Morris on our letterpress remake of Albrecht Dürer’s Six Studies of Pillows. While Dürer’s sketches were originally produced as a copper engraving, de Mesquita worked in woodcuts. Ink is applied to the raised areas of the carving in the former and to the recessed areas in the latter. Hundreds of years later, both styles of printmaking are still very much in use, albeit with a few modern conveniences. To produce our modern reimaginings, Morris creates a digital vector of the original image, outputs the negative image to film, and exposes a photopolymer plate. This plate can then be washed out to create the relief artwork from which a print can be made. He then inks the plate and creates letterpress prints using a hand-fed 1960s Vandercook press.
Samuel Jessurun de Mesquita (1868-1944) was a Dutch graphic artist primarily known for his wood engravings. He was born in Amsterdam and raised in a tightly knit Sephardic Jewish community—though he himself was not religiously observant. Receiving his teaching certificate in 1889, de Mesquita taught decorative arts at the School of Architecture and Decorative Arts in Haarlem, where he instructed the widely renowned M.C. Escher. During WWII, de Mesquita was captured by Nazi forces and killed at Auschwitz.