Eight Shadow Figures

by Utagawa Hiroshige

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Shipping for frames only available within U.S.

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Shipping for frames only available within U.S.

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Artist Statement

Today’s new Vintage Edition comes by way of legendary Japanese ukiyo-e master Utagawa Hiroshige, but don’t be fooled by its fancy street cred: Eight Shadow Figures is here for the fun. Shadow puppetry is a certified art form, but for many of us it also packs a nostalgic punch, stirring up memories of summer camp, backyard tent hangs, sheet forts and flashlights. Feels right for the season and the moment and the being-together-again-to-entertain-each-other-ness. And those primary colors! So celebratory. Almost makes us press pause on practicing the hand gestures. (Almost.)

Why We Love It

This surely does not cross the minds of kids fixing their fingers into bunnies and birds for their bunkmates to enjoy, but shadow play is an ancient form of storytelling, likely originating in Asia and dating back to the 1st millennium BCE. When Hiroshige created Eight Shadow Figures in 1842, toward the end of the Edo period, forming shadow figures with various hand gestures was a common pastime for kids. (Some even consider it an early type of Japanese anime.) Prints like Eight Shadow Figures would have helped wee ones hone their shapes—in this case, from behind a translucent shoji screen. The eight patterns pictured here (clockwise from upper right) model a turtle on a rock, a man wearing a hat, a rabbit, a shachihoko (a mythical creature with the head of dragon and the body of a dolphin), an owl, a fox, a snail, and a crow. Quite the motley crew! There’s also written instructions walking would-be puppeteers through movements: “open your fingers within your sleeve to move the owl’s wings,” “draw up your knee for the fox’s back,” “move the chopsticks up and down [snail].” One print, hours of entertainment—and if you ask us, that effect’s still going strong ... More on the blog!

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Medium:

Museo Portfolio Rag

Utagawa Hiroshige

Utagawa Hiroshige is widely recognized as one of the last great masters of the ukiyo-e tradition. Born Ando Hiroshige in 1797 in Edo (now Tokyo), Hiroshige worked as a fire warden until 1812, when he began studying under Toyohiro, a renowned painter. He was considered a rebellious student: instead of choosing to focus on popular ukiyo-e subjects like beautiful women and city life, Hiroshige much preferred to travel and paint bold, formal landscapes. This style eventually made him quite popular, allowing him to publish series like One Hundred Famous Views of Edo, The Fifty-three Stations of the Tōkaidō, and The Sixty-nine... Read More
Stations... of the Kiso Kaidō. At sixty-one, Hiroshige died of cholera at his home in Edo. His total output is estimated to be between 5,000 and 8,000 individual prints. Scholars agree that after Hiroshige's death, the ukiyo-e genre fell into rapid decline when faced with the westernization of Japan at the time. However, Hiroshige's work came to have an influence on Western painting near the end of the 19th century as part of the Japonism trend - even Van Gogh painted copies of Hiroshige's prints.
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