remainder

by e bond

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Artist Statement

I always feel like the pieces from this series come into the world already
half-formed. One intense line or gesture left behind on the large paper that covers my worktable will provide the impetus for an entirely new composition. What begins as the only traces of what has remained from other ideas soon becomes a new universe unto itself. 

Why We Love It

remainder belongs to a larger series bond has been exploring. She describes the artworks in the series as emerging “half-formed”, springing from “one intense line or gesture left behind” on her workspace. The vestiges of art projects past become the jumping off point for new work, building a continuous narrative, a connective thread that subliminally informs each composition to come. You might view her creative practice here as a single storyline with the capacity to be infinitely elaborated upon, each piece as self-contained and complete as it is unshakably hitched to the other work in the series. Beyond that, her approach also calls for a kind of reincarnation, whereby the whispers of earlier artmaking spark a new beginning, “a new universe unto itself”. Turns out there’s no remainder at all, but rather a cycle of repurposing—an ironic twist on this edition’s title ... Read more on the blog!

Details

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Medium:

Museo Portfolio Rag

Edition Structure:
10"x8" | edition of 10
14"x11" | edition of 100
20"x16" | edition of 25
30"x24" | edition of 10
50"x40" | edition of 2

e bond

e bond is an artist + writer + bookbinder + educator + designer. currently, she makes digital spaces by day, handmade books by night, hangs out with ancient trees on weekends and writes something close to poems in the spaces between. under the studio name roughdrAftbooks—created in 2003—she creates artists’ books, handmade journals and mixed media pieces that blur the boundaries of art, craft, design and poetry.
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