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In a conservatory

  • $40.00

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Add Custom Frame

SHIPPING FOR FRAMES ONLY AVAILABLE WITHIN U.S.

Early 20th Century Russian artist Sergei Prokudin-Gorskii’s color-drenched photographs of his homeland are not only stunningly beautiful and electrically enduring, they are pioneering works of art on several levels. Prokudin-Gorskii tirelessly captured corners of then-Czar Nicholas II’s Empire that had never been documented before. Traveling in a railroad car-turned-darkroom sponsored by the Czar, the artist developed and championed methods of dynamic, vibrant image-making that were truly avant garde for the time.  

New York-based, internationally-recognized critic, curator, writer, educator and art authority Lyle Rexer wrote of Prokudin-Gorskii's process for our debut editions by the artist—Stog siena (Haystack) and Siren (Lilacs)—that “Where many photographers of the time might have created hand-colored lantern slides on glass (for public presentations), Prokudin-Gorskii shot his glass plate negatives in triplicate, with three color filters. When projected all at once in overlay through corresponding filters, the images appeared in vibrant color. Printing was a more complicated issue, and few prints were actually made. It’s likely the photographer built his own camera in order to make simultaneous exposures. He also made prints in sepia tone, an equally emphatic aesthetic gesture.” 

Two additional works by Sergei Prokudin-Gorskii that we’re thrilled to edition in partnership with the Library of Congress, In a conservatory and Roses, were both shot and developed c.1905-1915 by the artist during the thick of his aforementioned photographic survey. Prokudin-Gorskii was not just a visionary documentarian, but a scientist—which is no surprise, given his creative drive to experiment with processes, composition, subject matter and, of course, color. 

In a conservatory is riotous, lush and regal, showcasing the luxury of a verdant Russian greenhouse at the turn of the century in all of its vivid hues. Because of all of the artist’s carefully-made choices in rendering this photograph, we know that the ground was warm-toned earth, the flower’s petals delicate pinks and uproarious reds. We can fully appreciate the foil between the formal, crisply whitewashed architecture of the greenhouse’s window panes and the controlled wildness of its tropical treasures. Palm fronds in Russia–what a marvel! Without Prokudin-Gorskii’s capture, this wondrous place of solace and luxe greenery would never again be seen by human eyes. Thanks to him, we can imagine it all–the humidity, the wonder, and what it would be to sit on that bench, nestled in the back, taking it all in.

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Innova Exhibition Photo Baryta

8"x8" | Edition of 10
11"x11" | Edition of 200
16"x16" | Edition of 25
20"x20" | Edition of 10
30"x30" | Edition of 5