Billboard Lines

Select your print and framing options

8"x8" SOLD OUT
$24

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14.0x14.0 - Black - Matted

14.0x14.0 - White - Matted      OUR PICK

Shipping available within the US only

11"x11" 33 of 500 available
$60

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16.5x16.5 - Black - Matted

16.5x16.5 - White - Matted      OUR PICK

Shipping available within the US only

16"x16" 1 of 50 available
$240

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22.5x22.5 - Black - Matted

22.5x22.5 - White - Matted      OUR PICK

Shipping available within the US only

30"x30" 9 of 10 available
$1200

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30x30 - Black - Framed to Image

30x30 - White - Framed to Image      OUR PICK

Shipping available within the US only

More About This Edition:

+ Limited-edition, exclusive to 20x200
+ Museum quality: archival inks, 100% cotton rag paper unless noted
+ Signed + numbered certificate of authenticity included
+ Directly supports the artist
+ Handcrafted custom-framing is available

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

Artist Statement

 

Billboards in the American landscape have always personified "epic" to me, even before I saw Stephen Shore's iconic South of Klamath Falls, Oregon. Blank billboards captured my attention even more than ones with advertisements because they were able to straddle the space between screaming at me, yet saying nothing at all. I was particularly drawn to the billboard in this image because of its orientation, surroundings and the fast moving clouds that night. It stands alone in the middle of a city, with its head seemingly held high. The net of wires between the viewer and the blank canvas creates a separating layer, with hints of ghostly flight paths of long-gone airplanes.

 

Tod Seelie | See All Editions

 

Tod Seelie has photographed in over 20 countries on five different continents.  Originally from Cleveland, he relocated to Brooklyn in 1997. Tod was a founding member of the Miss Rockaway Armada, and continued on to travel with both manifestations of the Swimming Cities.  His work has appeared in publications such as the New York Times, New York magazine, Rolling Stone, Spin, Juxtapoz, Men's Journal, Thrasher, Vice, American Way, Artforum, Art in America, Flash Art and Adbusters, among others.  Tod has exhibited work in solo and group shows in New York, Berlin, Tokyo, Paris, Milan, Sydney, San Francisco, Chicago, Miami and at MASS MoCA. His work has also appeared in photography books such as The Vice Photo Book, Hijacked and Backyard Shakedown.