We’re excited to share a behind-the-scenes peek at the art practice of multidisciplinary designer and illustrator Isabela Humphrey! We recently got to ask the artist and creator of our newest edition, Daydreaming, about her work, and what she shared is vibrant and inspiring, just like she is (including a photo of the DREAMIEST painting spot).
1. What are the most important things you brought into your painting and illustration practice from your background in fashion design?
I would have to say definitely experimenting with layering, patterns, and proportions. In my illustrations, I strive to incorporate bold outfits for the characters, ensuring they stand out and convey a unique identity. My fashion illustration classes at SCAD have been instrumental in refining my approach to proportions; in fashion illustration, we often use a nine-head system, as opposed to the more realistic eight-head figure which I think is certainly reflected in the figures throughout my bodies of work.
2. You've got a dream list of illustration clients--the Washington Post, Facebook, Google, the LA Times, the Guardian and more have chosen you to help tell their stories. What was it like landing your first big illustration job?
It was incredibly exciting! I couldn’t believe that Meta wanted to work with me. When they reached out, it felt almost too good to be true, especially since I was just starting my career in illustration and wasn’t sure how feasible a career it would be. The best part was that they were a joy to work with—truly one of my favorite clients. They were not only receptive to my ideas but also fostered a consistently positive atmosphere throughout our collaboration. I do believe that having a client like that has helped me gain recognition and more opportunities in the editorial world!
3. As someone who works with both physical and digital mediums, how do you think the mediums influence each other in your work (i.e. how does working digitally translate to your physical painting and vice versa)?
Given that most of my career has focused on digital art, I find it currently influences my painting. However, I’m actively exploring how to integrate my painting techniques into my digital illustrations. I'm always looking to evolve my style, and I believe that experimenting with new mediums allows me to grow and develop in ways that differ from my previous approach. In the coming year, I plan to concentrate on establishing a dedicated painting practice. Over the past few years, I’ve taken up ceramics as a hobby to unwind and disconnect from screen time. Recently, I’ve started creating a series of relief tiles featuring faces and hands, which has been an exciting shift since I haven’t worked in 3D before. I can already see how this new medium will influence my painting and digital art!
