20x200 News
San Francisco based artist Kindah Khalidy makes her 20x200 debut with a pair of happy-making abstractions, Untitled (a) and Untitled (b). Below, 20x200 founder and head curator Jen Bekman gives her take on the painter’s bright, ebullient work. Untitled (a) by Kindah Khalidy 8"x10" ($24) | 11"x14" ($60) | 16"x20" ($240) | 30"x40" ($2400) Untitled (b) by Kindah Khalidy 8"x10" ($24) | 11"x14" ($60) | 16"x20" ($240) | 30"x40" ($2400) MORE after the jump »
Just when you thought you’d seen every angle of the Big Apple...fly far, far above the sights and skyscrapers with New York City (ISS045-E-066112)! New York City (ISS045-E-066112), a 20x200 Space Edition MORE after the jump »
Leah Giberson may be a new addition to our artist roster, but she’s already motoring along with her second release. Pull over here to learn more about her latest edition, Trailer Flash. Trailer Flash by Leah Giberson MORE after the jump »
We were too excited about Earth Day and today’s out-of-this-world release to keep it from you. Get a little global perspective with our newest Space Edition, City Lights Worldwide. City Lights Worldwide, a 20x200 Space Edition MORE after the jump »
April showers bring...new artists! We’re delighted to introduce Leah Giberson, the artist behind today’s release, Floral Shade. This color-packed piece is soaked in suburban nostalgia, reminding us how good it feels to park on the sidelines of a soccer game in the sun, or sit out in the backyard on warm nights, cooling our heels ‘til the stars come out. Floral Shade by Leah Giberson MORE after the jump »
To celebrate the 186th birthday of Eadweard Muybridge, we whipped up a special deal and reached out to an expert for his insights on the artist. This weekend only, take 20% off all Muybridge with the code LOCOMOTION. Read on to learn about Muybridge from the mouth of Dennis Keeley, chair of the Photography and Imaging Program at Art Center in Pasadena. Animal Locomotion: Plate 626 (Galloping Horse) by Eadweard Muybridge MORE after the jump »
Time is a formative element of photography. We talk about “capturing” shots like they’ll get away from us; we create and collect photographs as a way to freeze and suspend a distinct moment that stirs something inside us. But even as more photographs are taken every day, time continues to outpace our images. In Berenice Abbott’s Tempo of the City: I. Fifth Avenue and 44th Street, Manhattan, the clock in the foreground stands as an...
Even on gray spring days, the bright red of these cardinals breaks through and makes us feel majorly chipper. Dustin Amery Hostetler (UPSO) combines these striking scarlet tones with a muted, linear background in his second 20x200 release, Cardinals #2. Cardinals #2 by Dustin Amery Hostetler (UPSO) MORE after the jump »