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20x200 News
From the ridiculous to the inspiring to the downright disturbing, the 24-hour news cycle is trained on every aspect of the 2016 race to the White House. We’re completely captivated, and a new season of House of Cards means we’re dipping our toes in political drama even as we’re tucking them under...
“I love cats because I enjoy my home; and little by little, they become its visible soul”. French polymath Jean Cocteau summed it up purrfectly. Which got us thinking: what represents our personalities better than the animals we keep as companions and the art we choose to surround ourselves with?...
We're grateful (and also a little amazed!) to have John Edwin Mason introduce today's powerful, legendary photograph by Gordon Parks. John's been hard at work on his book, Gordon Parks and American Democracy, and was a featured speaker at a Gordon Parks symposium at the Ulrich Museum in Wichita e...
In the late 18th century, Ando Hiroshige was considered something of a rebel in the ukiyo-e woodcut world. While his contemporaries were creating works centering around coy women or intricate images of city life, Hiroshige chose instead to focus on lush landscapes. The resulting body of work—his ...
In our third edition with long-time 20x200 artist Amy Casey, we find ourselves enchanted by yet another of her surreal urban spaces. Casey has a knack for embodying different perspectives on city life with her dreamy visuals, whether we're talking intricate webs, or dizzyingly tall towers of buil...
It’s easy to take bridges for granted. We speed across (or more appropriately for New Yorkers, we pay a toll then crawl slowly across) from point A to point B without much thought. But with Berenice Abbott’s Manhattan Bridge, Manhattan, we’re once again reminded of the steadfastness and stateline...
There’s something seductively familiar about the silhouette we spy in Andrew Miller’s latest edition, Hershey's Kisses. The crinkled curves, the teeny flag flying from the tip, the telltale teardrop shape. Even though Miller has made this morsel minimal with a stark whitewash, the shape alone is ...
Plate 250: Arctic Tern by John James Audubon 10"x8" ($24) | 14"x11" ($60) | 20"x16" ($240) | 30"x24" ($800)
Plate 431: American Flamingo by John James Audubon 10"x8" ($24) | 14"x11" ($60) | 20"x16" ($240) | 30"x24" ($800)
You might be wondering: why feature two completely different bird...

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New release intros, studio tours, print picks curated by tastemakers and trailblazers, art world news + more!
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